{"title":"CDs In-stock Online, Shipping Available, Pick up in-store 3-5 days","description":"","products":[{"product_id":"pre-order-ufo-no-place-to-run-2025-remaster-deluxe-edition-new-cd","title":"UFO * No Place To Run (2025 Remaster - Deluxe Edition) [New CD]","description":"\u003cp\u003eNo Place To Run, the eighth studio album by UFO and the first with Paul Chapman on guitar, following the departure of Michael Schenker. Produced by legendary Beatles producer George Martin, the album was recorded at AIR Studios in Montserrat in the Caribbean, a stark difference from the bands' usual surroundings.No Place To Run has been newly remastered from the original production tapes at AIR Mastering. This set comes with a recording from the band's appearance at the Marquee in Soho, London a deliberate and huge undersell to generate excitement, filling that small and sweaty room with passion and commitment. At this point UFO were still ahead of it, one of the great British rock bands of the era. Newly mixed by revered engineer Brian Kehew from the original multi-track tapes, giving a powerfully fresh sound.No Place To Run [2025 Remaster - Deluxe Edition]: 2CD Digipak with O-Card sleeve with liner notes by Michael Hann featuring interviews with Phil Mogg and Andy Parker. 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Produced by Chris Collier (Mick Mars, Korn, Flat Black) \"Unbreakable\" is a sonic assault packed with catchy riffs, melodic vocals, and thoughtful lyrics that blends their classic metal roots with modern rock intensity. \"This album digs even deeper,\" says Ellefson. \"It's heavier, more personal, and shaped by everything we've experienced on and off the stage.\" Soto adds, \"The energy we poured into this one-it's the sound of two lifetimes colliding in riffs, rage, and redemption.\" Ellefson further comments \"One of the things I like most is I feel like you can hear a real sense of brotherhood on our records, that we're really in the creative process together as a band. The consistency of our sound has remained intact while allowing us to further build upon each other's strengths from our debut album. It's an honest, organic approach that blends well and let's us explore new sounds and musical paths. 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This album showcases Brann's signature melodic storytelling and Tardy's expressive phrasing, creating a dynamic interplay between guitar and saxophone that is both adventurous and deeply rooted in jazz tradition.\"As a guitarist, Brann continually reshapes his sound... When a musician has the capacity to do just about anything, the choices he makes are critical. Here, Brann and his quintet never put a foot wrong.\" (Mark Corroto - All About Jazz on SCCD 31847 Lineage)\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 716043198429\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Steeplechase\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.15.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Steeplechase","offers":[{"title":"Default Title","offer_id":48945034821878,"sku":"9019602892","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2160\/4233\/files\/4433265-3405393.jpg?v=1754958465"},{"product_id":"pre-order-bret-mckenzie-freak-out-city-new-cd","title":"Bret McKenzie * Freak Out City [New CD]","description":"\u003cp\u003eBret McKenzie is a Grammy and Academy Award winning artist most well known for his band Flight of the Conchords and their eponymous television show. McKenzie is internationally renowned for singing and writing funny, strange, and unique songs primarily for film and television. Bret's songs have been sung by Kermit the Frog, Celine Dion, Lizzo, Benedict Cumberbatch, Brittany Howard, Homer and Lisa Simpson, Fred Armisan, Miss Piggy, Amy Adams, Jason Segal, Ricky Gervais, Benee, Isabela Merced, Spongebob Squarepants, Tony Bennett, Mickey Rooney, and more. As a young adult Bret was an active part of the Wellington music scene playing in multiple bands across multiple genres. He was a founding member of the popular band The Black Seeds, a reggae funk phenomenon that went on to make multiple gold albums and tour extensively around the world. He also started the Wellington International Ukulele Orchestra, a surprisingly popular ten piece ukulele group, played in Dub Connection, an experimental electronica ensemble, made an indie pop electro record under the alias Video Kid, and performed in various jazz groups from The Shrinks, a band made up of people playing miniature instruments, to corporate function quartet The Canapés. At the same time Bret was heavily involved in the local theatre scene performing regularly in countless devised comedy theatre productions where he developed a friendship with a large community of theatre artists including long time collaborators Jemaine Clement and Taika Waititi. In 2000 he was cast as an extra in the first Lord of the Rings film, The Fellowship of the Ring and was unexpectedly catapulted to fame as a background elf that garnered an abnormal amount of attention from the Tolkien fans. He was coined Figwit - an acronym for \"Frodo is great, who is that?\" Around the same time The Flight of the Conchords emerged from this prolific Wellington artistic community and Bret spent several years touring comedy festivals in Australia, Canada and the UK with his bandmate Jemaine. They made a radio show for the BBC followed by a TV show for HBO that became a cult classic and propelled the pair to international fame. They released one EP and three albums with Sub Pop Records winning the Grammy Award for Best Comedy Album in 2008. Bret's work with Flight of the Conchords established him in the entertainment worlds of both comedy and music and opened the doors to working in the American film industry. He has consistently worked on film and television projects since. In 2012 he won the Academy Award for Best Original Song for his ballad \"Man or Muppet\" from the Disney film The Muppets. During this time Bret and his wife Hannah Clarke had three children, and Bret started to focus on projects that would allow him to be at home in New Zealand with his family. In 2022 Bret released a solo album called Songs Without Jokes that saw him explore songwriting without punch lines. FarOut Magazine described the songs as \"like musical versions of a Kurt Vonnegut novel.\" This year he is releasing his second solo record, Freak Out City, made up of songs developed while on the road with his eight-piece band. Freak Out City was recorded in both Los Angeles and New Zealand, and co-produced by Bret and his long time collaborator Mickey Petralia. It was mixed by Michael Harris in Los Angeles at East West Studios. 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Celebrating our inner strength and light!Following the chart-topping releases of \"The Book of Fire\" and \"Ravenblack\", yet another sold out Symphonic Tour and headline slots at countless festivals, the 13th studio album will finally be released on August 15th 2025. \"Darkness\" is an ode to the strength we all carry within us.Here come the giants of Dark Rock - more profound than ever before. This album sets out to prove that darkness is not the end, but quite the contrary. The lyrics and sound of the first track \"In My Darkness\" emanate a bright light, shining from within. Band leader Martin Engler says, \"This is like us shining a light for ourselves while the world around us is drowning in chaos.\"Solidarity and tolerance, charity and self-love: \"Darkness\" is about all that, which has carried the ever-growing Raven Community through the storms and lifted them from the lows over the years. \"Darkness\" bursts forth with momentous power, whilst simultaneously bringing with it more intimate moments. 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This bold musical statement from the ever-changing composer and mastermind Toby Driver marks both a return and a progression from the band's seminal debut by revisiting the compositional practices that defined it while pushing forward into uncharted territory. Rejecting traditional rock structures and the more predictable contours of metal, \"Every Rock, Every Half-Truth under Reason\" shapes a sound that feels familiar and alien at once, where custom-designed microtonal organs and guitars weave an effort to reconcile the impossible tension between past and future. Moving away from the typical emphasis on low-end frequencies, it floats instead in the upper spectrum, where the textures become more fragile, more intimate, and more abrasive and terrifying. This Kayo Dot album is also haunted by the ghost of a future to come: the spectre of AI-generated creativity. The increasing presence of artificial composition, predictive modelling, and algorithmic aesthetics casts a long shadow over all creative work today, which caused Driver to write in ways that resist prediction, to compose music that does not reveal itself to pattern recognition. Much of the album is an effort to move against the grain of legibility, to make something that slips from the grasp of systems designed to anticipate us. After the split of much loved MAUDLIN OF THE WELL, Toby Driver formed the avant-garde music project Kayo Dot as a new outlet for his burgeoning creativity in 2003. 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To write it, singer Rick Maguire inhabited \"a dark place,\" wrestling with the concept that there is no enlightenment, no end to suffering. Maguire explores workaholism, the myth of meritocracy, and acceptance of mortality-all through a devilish allegory of trudging through a shadowy forest towards the uncertain dream of a bright clearing. Pile wrestles with existential and social contradictions by evoking sonic in-betweens. The music exists somewhere in the temporary equilibrium of light and shadow, chaos and order. Heated rain-like guitars, shifting drums that pave sinuous roads in sound and pace, eerie synths, and aqueous strings add to a panoramic production of loud-quiet dynamism matching the emotionality of the band's thunderous performances. The group also favored freewheeling performances that would animate the storytelling, while enlisting a string section (violins, viola, cello) to perform incandescent, through-composed arrangements co-written by cellist Eden Rayz and Pile. They drew inspiration from cinema and opera scores by Chopin, Bernard Herrmann, and Ralph Vaughan Williams, lending Sunshine a larger-than-life sound that intensifies Pile's blistering realizations of some of their most accessible songwriting to date. The recording is a noticeable leap in production value, and centers Maguire's vocals in new and exciting ways. Pile traveled to Pawtucket, RI for two weeks of tracking at Machines with Magnets with longtime engineer Miranda Serra (Kal Marks, Kira McSpice). The album was mixed by Seth Manchester (Lightning Bolt, Mdou Moctar), and Mastered by Matt Colton (Aphex Twin, Swans, Muse). 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Born in Azerbaijan and raised in New York, Jacob grew up immersed in a kaleidoscope of sounds-from the soaring arias of opera and the refined beauty of classical music to the evocative storytelling of French and Italian pop, Soviet-era melodies, and the anthemic power of classic rock. This eclectic upbringing shaped his signature style-a genre-bending artistry that breathes new life into tradition while forging bold new pathways. Jacob's debut album, In Search of Silence, is an intricate tapestry of influences. Singing in several languages, Jacob channels the passion of ancient poetry, the grandeur of opera, and the raw energy of modern rock to explore themes of love, personal growth, inner struggles, and the eternal quest for peace. Blending the haunting minimalism of Arvo Pärt, the cinematic grandeur of Hans Zimmer, and the poetic intensity of Schubert with the epic spirit of rock legends like U2, Pink Floyd, and Queen. 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This bold musical statement from the ever-changing composer and mastermind Toby Driver marks both a return and a progression from the band's seminal debut by revisiting the compositional practices that defined it while pushing forward into uncharted territory. Rejecting traditional rock structures and the more predictable contours of metal, \"Every Rock, Every Half-Truth under Reason\" shapes a sound that feels familiar and alien at once, where custom-designed microtonal organs and guitars weave an effort to reconcile the impossible tension between past and future. Moving away from the typical emphasis on low-end frequencies, it floats instead in the upper spectrum, where the textures become more fragile, more intimate, and more abrasive and terrifying. This Kayo Dot album is also haunted by the ghost of a future to come: the spectre of AI-generated creativity. The increasing presence of artificial composition, predictive modelling, and algorithmic aesthetics casts a long shadow over all creative work today, which caused Driver to write in ways that resist prediction, to compose music that does not reveal itself to pattern recognition. Much of the album is an effort to move against the grain of legibility, to make something that slips from the grasp of systems designed to anticipate us. After the split of much loved MAUDLIN OF THE WELL, Toby Driver formed the avant-garde music project Kayo Dot as a new outlet for his burgeoning creativity in 2003. 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Upcoming stops include Toronto's Budweiser Stage, Los Angeles' Intuit Dome and New York's Madison Square Garden as well as festival performances at Telluride Bluegrass Festival, Watershed Festival, Country Calling and more. The new music adds to a landmark year for Top, who was recently named 2025 ACM New Male Artist of the Year and performed \"a moving acoustic rendition\" (American Songwriter) of his song, \"Use Me,\" during the live ACM Awards ceremony. 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Released in 1994 after a five-year silence, this was the Eddies' third and most experimental offering-and arguably, Terry Scott Taylor's lyrical masterpiece.No longer hiding behind pseudonyms, the Eddies came out swinging under their real names. But don't let the stripped-down transparency fool you-Zoom Daddy is an audacious, genre-leaping work of art. Built on a dare, the band first recorded a batch of improvised instrumentals. Then, with only titles to guide him-titles like \"God Went Bowling,\" \"Disco Love Grapes,\" and \"I Had a Bad Experience with the C.I.A. and Now I'm Gonna Show You My Feminine Side\"-Taylor was challenged to write lyrics to match.The results are astonishing.Taylor delivers lyrics of jaw-dropping complexity and emotional depth-rife with vivid imagery, unexpected vocabulary, and theological insight that cuts to the bone. 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Written during the months spent bedridden and healing from a torn achilles and the drastic upheaval of a breakup, the 11 songs on this record are Weinman's most bracing, inviting the perceived vulnerability of the album's title willingly. But at the same time, these songs are Runnner's most present, defiant and self-assured, a reminder of the resolve that can come from gracefully accepting submission.  Longtime fans of Weinman's likely fell for his signature homespun indie rock, recorded almost exclusively in bedrooms and home studios, where his poignant and self-deprecating lyrics float over beds of banjos, guitars and reverberant horns crescendoing to cathartic peaks. But on A Welcome Kind of Weakness, Weinman soars for the first time in high fidelity. Runnner's first studio record, it recalls the larger-than-life highs of the early aughts rock that Weinman grew up on, bands like Coldplay, Radiohead, and Snow Patrol with their pristine vocal presence, scintillating guitar riffs, and astral synth sparkle. This is rock music in it's most delicious form, music that gave Weinman something to look forward to when he could finally play live again.  But as high as the sonic highs may be on A Welcome Kind of Weakness, we also see Weinman struggling gracefully with the questions that emerge from moments of physical and emotional undoing. As he sings about spackling holes in the house he shared with his ex and reckoning with a long span of physical futility, we're reminded, too, of all the spectrums of experience we endure. We are all perpetually pulled between polls-weakness\/resolve, nostalgia\/presence, powerlessness\/control-but it takes a certain bravery to sit in the murky middle long enough to write about it. 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The sense of presence encouraged by deep listening is perhaps, more now than ever, a gift of essentialism whch unlocks the corridors of the mind and imagination as a transpostion of the beauty of our reality.True than Nature invites the listener to focus on the intrinsic qualities of sound. Ordinary sounds-those of infrastructure, labour, ceramic or concrete objects, and natural acoustic phenomena like reflections and echoes-are brought to the forefront through electronic manipulation. These sounds, often relegated to the background, are now placed centre stage: This 'bridging' transforms their essence, leading to a shift in perception that alters the boundaries between the environment as we know it and what it could be.True than Nature wants to encourage active listening. 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Era fatto quasi esclusivamente dilegno, ed era uno strumento molto diverso da quello odierno, costruito in metalloprezioso (argento o, meglio ancora, oro), Relativamente facile da suonare, il flautotraverso si e arricchito nel tempo di una copiosa letteratura e ha avuto i suoi eccellentivirtuosi che ne hanno incrementato la popolarità (nel secondo Novecento, per citaresolo alcuni dei più noti, Jean-Pierre Rampal, James Galway e, in Italia, SeverinoGazzelloni) e hanno direttamente o indirettamente sollecitato gli autori a scrivere perloro. La letteratura per flauto e effettivamente sterminata. Il nostro album ci offre unascelta di sei composizioni per flauto solo, scritte da cinque autori diversi, appartenentiin larga maggioranza all'area musicale di lingua tedesca; la sola eccezione e costituitadall'olandese Rudolf Escher, mentre Willy Burkhard era svizzero-tedesco. 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Daniel Barenboim)\u003c\/li\u003e\n\u003cli\u003eSTRAVINSKY ; PROKOFIEV (No. 2) Violin concertos (with Daniel Barenboim)\u003c\/li\u003e\n\u003cli\u003eConcertos from my Childhood\u003c\/li\u003e\n\u003cli\u003eBEETHOVEN `Kreutzer' Sonata\u003c\/li\u003e\n\u003cli\u003eFRANCK Sonata\u003c\/li\u003e\n\u003cli\u003eMOZART Violin Concerto No. 3, Symphony No. 41 `Jupiter'\u003c\/li\u003e\n\u003cli\u003ePerlman Speaker ; Singer: PROKOFIEV Peter and the Wolf\u003c\/li\u003e\n\u003cli\u003eSAINT-SAENS Carnival of the Animals\u003c\/li\u003e\n\u003cli\u003eBACH Sonata No. 4 BWV 1017\u003c\/li\u003e\n\u003cli\u003eBRAHMS Sonatensatz\u003c\/li\u003e\n\u003cli\u003eSCHUMANN Violin Sonata No. 1...\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5021732619938\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.29.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Warner Classics","offers":[{"title":"Default Title","offer_id":48971289100534,"sku":"430403","price":239.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2160\/4233\/files\/4434106-3404738.jpg?v=1755567054"},{"product_id":"pre-order-joe-meek-curious-mind-outer-space-horror-death-joe-meek-curious-mind-outer-space-horror-death-new-cd","title":"Joe Meek: Curious Mind Outer Space Horror Death * Joe Meek: Curious Mind Outer Space Horror Death [New CD]","description":"\u003cp\u003e3CD Set Exploring The Fascinations And Experiments Of The Legendary Joe Meek. 82 Tracks Of Far Outer Space Exploration, Ghoulish Goings On, Deathly Laments, Wild West Imaginings And Joe's Own Inimitable Home Demos! 57 Previously Unreleased Tracks! Many Never-Before-Heard Stereo Versions! All Tracks From The Legendary Tea Chest Tapes. Includes Detailed 'I Hear A New World' Sessions And Out-Takes. Features Hit Singles By John Leyton, Heinz, Mike Berry, Screaming Lord Sutch, The Outlaws And More. Sleevenotes By The Joe Meek Society's Craig Newton. Mastered At Western Star By Meek Aficionado Alan Wilson. Unique among the 1960s pop landscape, and facilitated by his own home studio set-up, Joe Meek pursued and expressed a passion for his countless hobbies through his hit records and studio productions. From the legendary 'I Hear A New World' sonic landscapes and the Tornados' global hit 'Telstar!' to several successful horror-themed records with Screaming Lord Sutch and his smash hit laments to both Buddy Holly and Eddie Cochran, Meek's fascinations were never far from his thoughts, often resulting in wildly imaginative and way ahead of their time recordings. Laden with sound effects, experimental electronics, eccentric lyrics and themes that often stretched the boundaries of what pop music could be in the early 1960s, 'A CURIOUS MIND' showcases both Meek's imagination and his mastery of the recording studio. A selection of themed demos shine light on hit songs that might've been, while sound effects and experimental electronic production sessions set him many years ahead of his contemporaries and rivals. The familiar hits are here, alongside lesser-known gems and material never before heard in stereo. Of particular interest is a disc of newly discovered 'I Hear A New World' versions and outtakes, including an early compilation\/demo of the album that still sounds futuristic 65 years after it was recorded. A must hear for fans of that album, presented for the first time in pristine sonic quality, having previously only been heard as distorted vinyl dubs.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRicky Wayne's Introduction\u003c\/li\u003e\n\u003cli\u003eJoe Meek and the Blue Men - I Hear a New World\u003c\/li\u003e\n\u003cli\u003eThe Tornados - Telstar (Alternate Edit)\u003c\/li\u003e\n\u003cli\u003eGeoff Goddard - Sky Men\u003c\/li\u003e\n\u003cli\u003eGlenda Collins - It's Hard to Believe It (Alternate Lyrics)\u003c\/li\u003e\n\u003cli\u003eThe Tornados - Life on Venus (Mix 4)\u003c\/li\u003e\n\u003cli\u003eJoe Meek - Spacescape #2*\u003c\/li\u003e\n\u003cli\u003eThe Thunderbolts - March of the Spacemen\u003c\/li\u003e\n\u003cli\u003eThe Tornados - Globetrotter (Mix 2)\u003c\/li\u003e\n\u003cli\u003eJoe Meek - Spacescape #3\u003c\/li\u003e\n\u003cli\u003eThe Thunderbolts - Saturn and Back (Take 10)\u003c\/li\u003e\n\u003cli\u003eThe Tornados - Robot (Mix 3)\u003c\/li\u003e\n\u003cli\u003eDave Adams - Space Theme\u003c\/li\u003e\n\u003cli\u003eGlenda Collins - Magic Star (Take 1)\u003c\/li\u003e\n\u003cli\u003eJoe Meek and the Blue Men - Dribcots Space Boat (Take 5)\u003c\/li\u003e\n\u003cli\u003eJoe Meek - FX Experiment #2*\u003c\/li\u003e\n\u003cli\u003eThe Thunderbolts - Lost Planet\u003c\/li\u003e\n\u003cli\u003eThe Tornados - All the Stars in the Sky (Original Speed)\u003c\/li\u003e\n\u003cli\u003eThe Thunderbolts - Stepping on the Stars (Take 2)*\u003c\/li\u003e\n\u003cli\u003eJoe Meek - Have You Ever Tried Living on the Moon?*\u003c\/li\u003e\n\u003cli\u003eThe Thunderbolts - Call of Outer Space (Take 7)*\u003c\/li\u003e\n\u003cli\u003eThe Rhythmics - Telstar (Take 3)\u003c\/li\u003e\n\u003cli\u003eThe Tornados - Lullaby of the Stars\u003c\/li\u003e\n\u003cli\u003eGeoff Goddard - Sky Men (Original Speed\/Pre-Overdubs)\u003c\/li\u003e\n\u003cli\u003eThe Rhythmics - Life on Venus (Take 2)\u003c\/li\u003e\n\u003cli\u003eJoe Meek and the Blue Men - Glob Waterfall (Take 9)\u003c\/li\u003e\n\u003cli\u003eJoe Meek - Spacescape #5\u003c\/li\u003e\n\u003cli\u003eScreaming Lord Sutch - Jack the Ripper\u003c\/li\u003e\n\u003cli\u003eThe Moontrekkers - Night of the Vampire\u003c\/li\u003e\n\u003cli\u003eScreaming Lord Sutch - She's Fallen in Love with a Monster Man (O'Dubs Take 6)\u003c\/li\u003e\n\u003cli\u003eJoe Meek - You Make Me Feel Evil\u003c\/li\u003e\n\u003cli\u003eDoctor Dark - Put Me Back to Rot\u003c\/li\u003e\n\u003cli\u003eGeoff Goddard - Somebody's Knocking on My Coffin\u003c\/li\u003e\n\u003cli\u003eScreaming Lord Sutch - Monster in Black Tights (Organ Version)\u003c\/li\u003e\n\u003cli\u003eMeek\/Sutch - Screaming Session\u003c\/li\u003e\n\u003cli\u003eThe Moontrekkers - Unknown Horrors\u003c\/li\u003e\n\u003cli\u003eJoe Meek - Dark Stranger (Take 6)\u003c\/li\u003e\n\u003cli\u003eThe Outlaws - the Spook Walks (A TV Theme) (Take 1)\u003c\/li\u003e\n\u003cli\u003eScreaming Lord Sutch ; the Savages - Till the Following Night Geoff Goddard ; Joe Meek - Monster in White Tights (Demo)\u003c\/li\u003e\n\u003cli\u003eThe Moontrekkers - Return of the Vampire (Pre-Overdubs)\u003c\/li\u003e\n\u003cli\u003eJohn Leyton - Johnny Remember Me ('Died' Version)\u003c\/li\u003e\n\u003cli\u003eMike Berry ; the Outlaws - Tribute to Buddy Holly\u003c\/li\u003e\n\u003cli\u003eHeinz - Tribute to Eddie\u003c\/li\u003e\n\u003cli\u003eHouston Wells ; the Marksmen\u003c\/li\u003e\n\u003cli\u003eNorth Wind (Take 2\/Pre- Overdubs)\u003c\/li\u003e\n\u003cli\u003eGerry Temple - No More Tomorrows (Stereo)\u003c\/li\u003e\n\u003cli\u003eThe Ferridays - Two Brothers (Stereo)\u003c\/li\u003e\n\u003cli\u003ePamela Blue - My Friend Bobby\u003c\/li\u003e\n\u003cli\u003eJohn Murray - Johnny\u003c\/li\u003e\n\u003cli\u003eJoe Meek - Johnny Must Be Hung\u003c\/li\u003e\n\u003cli\u003eJoe Meek - Darkness Fills the Sky\u003c\/li\u003e\n\u003cli\u003eHarold Smart - Manhunt\u003c\/li\u003e\n\u003cli\u003eBurr Bailey - Chahawki (Stereo)\u003c\/li\u003e\n\u003cli\u003eChad Carson - Jesse James (Alternate Version)\u003c\/li\u003e\n\u003cli\u003eChick, Ted Cameron Group ; 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