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Let our experts curate your next favorite record – order today and unwrap decades of carefully selected musical treasures!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Curious Collections Vinyl Records \u0026 More","offers":[{"title":"3 Used Jazz","offer_id":36580408557734,"sku":"25525","price":19.99,"currency_code":"USD","in_stock":true},{"title":"4 Used Country","offer_id":36773586763942,"sku":"20286","price":9.99,"currency_code":"USD","in_stock":true},{"title":"3 Used Rock","offer_id":37395472580774,"sku":"25798","price":19.99,"currency_code":"USD","in_stock":true},{"title":"5 Used Classical","offer_id":40267071586470,"sku":"21594","price":9.99,"currency_code":"USD","in_stock":true},{"title":"4 Sarah's Used Picks","offer_id":45205748515062,"sku":"25110","price":24.99,"currency_code":"USD","in_stock":true},{"title":"3 Used R\u0026B\/Soul","offer_id":45444642603254,"sku":"25792","price":14.99,"currency_code":"USD","in_stock":false},{"title":"4 Used Easy Listening","offer_id":45444915233014,"sku":"25797","price":9.99,"currency_code":"USD","in_stock":true},{"title":"4 Used Pop","offer_id":45552325361910,"sku":"25954","price":14.99,"currency_code":"USD","in_stock":true},{"title":"4 Used Staff Picks","offer_id":48198779994358,"sku":"25525","price":19.99,"currency_code":"USD","in_stock":true},{"title":"5 Used Gospel","offer_id":48537232048374,"sku":"31781","price":5.99,"currency_code":"USD","in_stock":true},{"title":"Mystery Box Used 10\" 78s ~10 Records","offer_id":46088512274678,"sku":"27323","price":5.99,"currency_code":"USD","in_stock":true},{"title":"5 Used Box Sets ~25 Records","offer_id":45762674524406,"sku":"69689","price":14.99,"currency_code":"USD","in_stock":true},{"title":"10 Used Box Sets ~50 Records","offer_id":48549644206326,"sku":"31607","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2160\/4233\/files\/Checking-used-record-quality-1024x870-min-1.jpg?v=1762439711"},{"product_id":"emmanuel-chabrier-detroit-symphony-paray-conducts-the-music-of-chabrier-used-vinyl-record-4-lp","title":"Emmanuel Chabrier \u0026 Detroit Symphony * Paray Conducts The Music Of Chabrier  [Used 4 LP]","description":"\u003cp\u003eEmmanuel Chabrier \u0026amp; Detroit Symphony * Paray Conducts The Music Of Chabrier  [Used Vinyl Record 4 LP]\u003c\/p\u003e\n\u003cp\u003eMercury\u003c\/p\u003e\n\u003cp\u003eMedia: NM, 45 RPM, Single Sided, Stereo 180 Gram, Used Vinyl Record 4 LP\u003c\/p\u003e\n\u003cp\u003eSleeve: NM, Limited Edition, Reissue\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e*All images are stock images unless otherwise indicated. 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If your order is time sensitive, please select UPS or Priority mail, expedited shipping.*\u003c\/span\u003e\u003c\/p\u003e","brand":"Secret City Records","offers":[{"title":"Default Title","offer_id":45531180073206,"sku":"25941","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2160\/4233\/files\/jeremy-dutcher-motewolonuwok.webp?v=1759255896"},{"product_id":"vitamin-string-quartet-vsq-performs-taylor-swift-colored-vinyl-record-lp","title":"Vitamin String Quartet * VSQ Performs Taylor Swift [New Colored LP]","description":"\u003cp\u003eVitamin String Quartet * VSQ Performs Taylor Swift [New Colored LP]\u003c\/p\u003e\n\u003cp\u003eVitamin Records, 2024\u003c\/p\u003e\n\u003cp\u003eMedia: Mint, Pink \/ Purple \/ Yellow Colored, New LP\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSleeve: Mint, Factory Sealed\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVSQ performs some of our favorite songs from Taylor's catalogue. 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No exceptions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePlease don't hesitate to ask any questions you may have and thank you for shopping with us!\u003c\/span\u003e\u003c\/p\u003e","brand":"Vitamin Records","offers":[{"title":"Default Title","offer_id":47184000254198,"sku":"29051","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2160\/4233\/files\/4282206-3094669.jpg?v=1762443373"},{"product_id":"the-tornados-the-original-telstar-the-sounds-of-the-tornadoes-used-vinyl-record-lp","title":"Tornados, The * The Original Telstar - The Sounds Of The Tornadoes [Used Vinyl Record LP]","description":"\u003cp\u003eThe Tornados * The Original Telstar - The Sounds Of The Tornadoes [Used Vinyl Record LP]\u003c\/p\u003e\n\u003cp\u003eNot Now Music, 2015\u003c\/p\u003e\n\u003cp\u003eMedia: NM, Used Vinyl Record LP\u003c\/p\u003e\n\u003cp\u003eSleeve: NM, UK Import, Shrink Wrap Opened\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e*All images are stock images unless otherwise indicated. Additional images available upon request. All items are from a retail environment. Most albums, even new, will show signs of shelf wear. Ships from the US. Same day shipping on most orders. Standard shipping and free shipping are sent USPS Media Mail and can take anywhere from 7 to 14 days to reach its destination. 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Walz. For Agnes [de Mille]. Tempo di Valse (leggiero)\u003c\/li\u003e\n\u003cli\u003eDance Suite~III. Bi-Tango. For Misha [Mikhail Baryshnikov]. Allegretto grazioso\u003c\/li\u003e\n\u003cli\u003eDance Suite~IV. Two-Step. For Mr. B [George Balanchine]. Allegretto leggermente\u003c\/li\u003e\n\u003cli\u003eDance Suite~V. MTV. For Jerry [Jerome Robbins]. 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As one of her last students, Conte embraces her wisdom that \"true personality in music is only revealed through the deep knowledge of the personalities of others.\" His compositions resonate with this philosophy, drawing inspiration from past masters while forging his own expressive voice.Highlights include the quietly intense Elegy for Violin and Piano and the dynamic Piano Trio No. 2, whose four movements pay tribute to Erich Korngold, Stephen Sondheim, Frank Martin, and Beethoven. Also featured are the Sonata for Clarinet and Piano, Sonata for French Horn and Piano, and Aria and Fugue for Cello and Piano, each showcasing Conte's mastery of instrumental color and structural clarity. His works seek to engage listeners beyond chronological time, instead creating musical narratives that feel eternal in their emotional depth and artistic intent.Marking his debut on PENTATONE, Intimate Voices is a testament to Conte's evolution as a composer and his deep reverence for the past. 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The latter also features the outstanding young Chinese violist Ziyu He, winner of the 2016 Yehudi Menuhin Competition at just 16. In this performance, he showcases his remarkable artistry alongside Chloe, herself a former winner of the same prestigious competition. The soloists are joined by the Singapore Symphony Orchestra, conducted by Hans Graf, whose connection with the violin virtuoso holds special significance.This project began when Chloe was just 15 years old, when she embraced the challenge of following in the footsteps of the many legendary violinists who have recorded this repertoire. In these refined and fresh interpretations, her deep connection to the music - written by Mozart when he was around her age - is unmistakable. Even without a trained ear, one can appreciate her extraordinary technique, elegance, and effort to capture the vitality of these beloved works.This special vinyl edition complements Chloe's already released and acclaimed Butterfly Lovers \u0026amp; Paganini (2025) and Vivaldi: Four Seasons \u0026amp; Locatelli Harmonic Labyrinth (2024). 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The orchestral scherzo was a favourite task set by composition tutors of the time: the relatively simple form still demands that the student produce contrasting material for the outer and central sections, and manage the transitions effectively. Unsurprisingly, the form looms large in the early works of Shostakovich, as well as Stravinsky, Bartok, and many others. The two examples recorded here show the young composer's ability and style, although not yet perhaps a distinct compositional voice. They do both share links with the later First Symphony, however, which was composed as a graduation test in composition from the Petrograd Conservatoire. Shostakovich spent two years working on it, but the Symphony he eventually produced was an instant success, marking him out as a Boy Wonder among Soviet composers. Written four years later, the Third Symphony evidences not only the rapid development of Shostakovich as a composer, but the equally rapid change in the world he inhabited. He passed the newly required examination in Marxist ideology in December 1926, and managed to extend his registration as a postgraduate student at Leningrad Conservatoire until early 1930. He submitted the symphony with the explanation that it 'expresses the festive spirit of peaceful construction'. 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The rose garden is the shared place, the multifaceted, multicoloured, thorny and delicate project that well embodies the evolutionarydrive of the young performers of Polimnia. The enigmatic vastness of the sea provides the setting in the consolidatedrepertoire of many great composers. It's presence is manifest in Robert Schumann's Romanzen fur Frauenstimmen (Meerfey,Der Wassermann, In Meeres Mitten), and it recurs in the choices of numerous French composers (for example, in C. Debussy'sLa Mer), a trait that clearly re-sonates in the fluid and elegant writing of Gabriel Faure featured here. Across it's surface, thesea incarnates the spontaneity, luminosity, and immediacy of Faure's invention, while in it's depths resides the Schumannianstyle, introspective and severe, directing it's gaze towards Reflection and the layering of Thought. 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She has finished just that with GENUIN, where her last, critically acclaimed recordings were also released. She invites her audience to Mozart's piano universe, from the first, youthful and stormy works of the teenager to the glowing and infinitely complex sonatas of his final years. She groups the works according to musical aspects rather than chronological order. This offers a special listening pleasure and reveals unexpected and connective relationships between the works.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePiano Sonata No. 16 in C major, K. 545 (Sonata facile)~Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 16 in C major, K. 545 (Sonata facile)~Andante\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 16 in C major, K. 545 (Sonata facile)~Rondo. Allegretto\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 8 in A minor, K. 310\/300d~Allegro maestoso\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 8 in A minor, K. 310\/300d~Andante cantabile con espressione\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 8 in A minor, K. 310\/300d~Presto\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 9 in D major, K. 311\/284c~Allegro con spirito\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 9 in D major, K. 311\/284c~Andante con espressione\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 9 in D major, K. 311\/284c~Rondeau (Allegro)\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 13 in B flat major, K. 333\/315c~Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 13 in B flat major, K. 333\/315c~Andante cantabile\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 13 in B flat major, K. 333\/315c~Allegretto grazioso\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 11 in A major, K. 331\/300i~Tema con variazione\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 11 in A major, K. 331\/300i~Menuetto - Trio\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 11 in A major, K. 331\/300i~Alla Turca\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 18 in D major, K. 576~Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 18 in D major, K. 576~Adagio\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 18 in D major, K. 576~Allegretto\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 3 in B flat major, K. 281\/189f~Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 3 in B flat major, K. 281\/189f~Andante amoroso\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 3 in B flat major, K. 281\/189f~Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 7 in C major, K. 309\/284b~Allegro con spirito\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 7 in C major, K. 309\/284b~Andante un poco adagio\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 7 in C major, K. 309\/284b~Rondeau. Allegretto grazioso\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 12 in F major, K. 332\/300k~Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 12 in F major, K. 332\/300k~Adagio\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 12 in F major, K. 332\/300k~Allegro assai\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 1 in C major, K. 279\/189d~Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 1 in C major, K. 279\/189d~Andante\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 1 in C major, K. 279\/189d~Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 6 in D major, K. 284\/205b (Dürnitz)~Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 6 in D major, K. 284\/205b (Dürnitz)~Rondeau en polonaise\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 6 in D major, K. 284\/205b (Dürnitz)~Tema con variazione\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 5 in G major, K. 283\/189h~Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 5 in G major, K. 283\/189h~Andante\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 5 in G major, K. 283\/189h~Presto\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 14 in C minor, K. 457~Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 14 in C minor, K. 457~Adagio\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 14 in C minor, K. 457~Molto allegro\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 17 in B flat major, K. 570~Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 17 in B flat major, K. 570~Adagio\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 17 in B flat major, K. 570~Allegretto\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 2 in F major, K. 280\/189e~Allegro assai\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 2 in F major, K. 280\/189e~Adagio\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 2 in F major, K. 280\/189e~Presto\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 10 in C major, K. 330\/300h~Allegro moderato\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 10 in C major, K. 330\/300h~Andante cantabile\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 10 in C major, K. 330\/300h~Allegretto\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 4 in E flat major, K. 282\/189g~Adagio\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 4 in E flat major, K. 282\/189g~Menuetto I - II\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 4 in E flat major, K. 282\/189g~Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 15 in F major, K. 533 (Rondo in F major, K. 494)~Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 15 in F major, K. 533 (Rondo in F major, K. 494)~Andante\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 15 in F major, K. 533 (Rondo in F major, K. 494)~Rondo: Allegretto\u003c\/li\u003e\n\u003cli\u003eVariations for Piano in C major, K. 265\/300e \"Ah, vous dirai-je, maman\"\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260036259285\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Genuin\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.29.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Genuin","offers":[{"title":"Default Title","offer_id":48971287658742,"sku":"55277","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2160\/4233\/files\/4424601-3387798.jpg?v=1755567046"},{"product_id":"pre-order-lisa-friend-an-american-affair-new-cd","title":"Lisa, Friend * An American Affair [New CD]","description":"\u003cp\u003eAcclaimed flautist Lisa Friend writes: It has long been a dream of mine to record an album featuring the works of some of my favourite American composers. Having grown up in New York, I have cherished memories of watching, as a young child, my father, Rodney Friend (concertmaster), perform with the New York Philharmonic under the baton of his close friend Leonard Bernstein. I recall being in rehearsals, where my father and Bernstein would often discuss the scores during breaks - a time I wish I could relive. This album brings together a selection of American works and original arrangements that hold a special place in my heart. Dad always played Heifetz's version of Jeanie with the Light Brown Hair, hence my wanting to record it here. Bernstein's West Side Story, and especially the theme 'Somewhere', has been one of my all-time favourites. I have recorded Ashokan Farewell for my brother Steven, knowing how much he loves this beautiful melody. I dedicate the lovely Poem by Griffes to my wonderful teacher and mentor, Renee Siebert, former flautist of the New York Philharmonic.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJeanie with the Light Brown Hair in D major for Voice and Piano\u003c\/li\u003e\n\u003cli\u003ePoem in C sharp minor for Flute and Orchestra\u003c\/li\u003e\n\u003cli\u003eBerceuse, Op. 40 No. 2 in F major from Three Compositions for Violin and Piano\u003c\/li\u003e\n\u003cli\u003eInvocation, Op. 55 in A flat major for Violin and Keyboard\u003c\/li\u003e\n\u003cli\u003eDuo for Flute and Piano~I. Flowing - Much slower - Tempo I - Much faster (always flowing) with delicacy - Relax the tempo somewh\u003c\/li\u003e\n\u003cli\u003eDuo for Flute and Piano~II. Poetic, somewhat mournful - (Somewhat faster) (Tempo I) - (Faster) - (Somewhat slower) - (Tempo I) -\u003c\/li\u003e\n\u003cli\u003eDuo for Flute and Piano~III. Lively, with bounce - (Somewhat slower) - A tempo - (Somewhat slower) as before - A tempo - Broaden\u003c\/li\u003e\n\u003cli\u003eAdoration in G major for Organ\u003c\/li\u003e\n\u003cli\u003eSonatina for Flute and Piano~I. Allegretto grazioso - Più mosso (ma non troppo) - Tempo I - Più mosso - Più mosso (Animato)\u003c\/li\u003e\n\u003cli\u003eSonatina for Flute and Piano~II. Andantino sognando - Un poco più mosso - Tempo I - Quieto\u003c\/li\u003e\n\u003cli\u003eSonatina for Flute and Piano~III. Allegro giocoso; quasi fandango - Brilliante - Tempo I\u003c\/li\u003e\n\u003cli\u003eWork(s)~Medley of Themes\u003c\/li\u003e\n\u003cli\u003eAshokan Farewell\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 0095115232729\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Chandos\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.29.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Chandos","offers":[{"title":"Default Title","offer_id":48971288019190,"sku":"234957","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2160\/4233\/files\/4424581-3387730.jpg?v=1755567048"},{"product_id":"pre-order-vlcek-linnik-bohuslav-martinu-complete-works-cello-pno-new-cd","title":"Vlcek \/ Linnik * Bohuslav Martinu: Complete Works Cello \u0026 Pno [New CD]","description":"\u003cp\u003eBohuslav Martinu - a matter of the heart for Vilem VlcekIn 1910, when the director of the Prague Conservatoire expelled Martinu fromthe school because of his \"incorrigible negligence\", he assuredly had no ideathe 20-year-old youth would become one of the most famous composersof the 20th century. Three years later, the young student sold his violin inParis to be able to concentrate fully on composition. About his beginnings,the composer later declared that he was \"simply unable to learn thosethings\", and instead had to \"come up with my own feeling somehow\". Martinudevoted himself more to the cello than any other composer of his generation,writing both chamber works and concertos. The present recording of hiscomplete works for cello and piano was made at the Musik Akademie Basel,just a few kilometres from Schonenberg, where Martinu spent the last yearsof his life. The works were mostly written for famous cellists who were oftenthe composer's friends (Frank, Cassado, Fournier, Honegger, Piatigorsky, Sádloetc.). He wrote five compositions in a lighter character in Paris between 1929and 1931. The more serious works (three sonatas and two compositions invariation form) were written between 1939 and the end of the composer's life;the Variations on a Slovak Folk Song became his last chamber work, and in itone hears unmistakeably his yearning for the homeland to which he could notreturn. The young Vilem Vlcek has enjoyed success at competitions (victoryat the Penderecki Cello Competition in Krakow, the 2023 MarkneukirchenInternational Instrumental Competition, the 2022 Rahn Musikpreis etc.)and has worked with top orchestras (the Czech Philharmonic, the PragueSymphony Orchestra, the Lucerne Symphony Orchestra, the Basel ChamberOrchestra etc.), but above all, what wins over listeners is the expressive depthof his playing, inspired on this recording by the musicianship of the wonderfulpianist Denis Linnik.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSonata for Cello ; Piano No. 1, H. 277~Poco allegro\u003c\/li\u003e\n\u003cli\u003eSonata for Cello ; Piano No. 1, H. 277~Lento\u003c\/li\u003e\n\u003cli\u003eSonata for Cello ; Piano No. 1, H. 277~Allegro con brio\u003c\/li\u003e\n\u003cli\u003eVariations on a Theme of Rossini\u003c\/li\u003e\n\u003cli\u003eSonata for Cello ; Piano No. 2, H. 286~Allegro\u003c\/li\u003e\n\u003cli\u003eSonata for Cello ; Piano No. 2, H. 286~Largo\u003c\/li\u003e\n\u003cli\u003eSonata for Cello ; Piano No. 2, H. 286~Allegro commodo\u003c\/li\u003e\n\u003cli\u003eSonata for Cello ; Piano No. 3, H. 340~Poco andante - Moderato\u003c\/li\u003e\n\u003cli\u003eSonata for Cello ; Piano No. 3, H. 340~Andante\u003c\/li\u003e\n\u003cli\u003eSonata for Cello ; Piano No. 3, H. 340~Allegro, ma non presto\u003c\/li\u003e\n\u003cli\u003eVariations on a Slovak folksong for Cello ; Piano, H. 378\u003c\/li\u003e\n\u003cli\u003eSeven Arabesques. Rythmic Etudes for Violin and Piano, H. 201~Poco allegro\u003c\/li\u003e\n\u003cli\u003eSeven Arabesques. Rythmic Etudes for Violin and Piano, H. 201~Moderato\u003c\/li\u003e\n\u003cli\u003eSeven Arabesques. Rythmic Etudes for Violin and Piano, H. 201~Andante moderato\u003c\/li\u003e\n\u003cli\u003eSeven Arabesques. Rythmic Etudes for Violin and Piano, H. 201~Allegro\u003c\/li\u003e\n\u003cli\u003eSeven Arabesques. Rythmic Etudes for Violin and Piano, H. 201~Adagio\u003c\/li\u003e\n\u003cli\u003eSeven Arabesques. Rythmic Etudes for Violin and Piano, H. 201~Allegretto\u003c\/li\u003e\n\u003cli\u003eSeven Arabesques. Rythmic Etudes for Violin and Piano, H. 201~Allegretto moderato\u003c\/li\u003e\n\u003cli\u003eSuite miniature, H. 192~Moderato\u003c\/li\u003e\n\u003cli\u003eSuite miniature, H. 192~Poco andante\u003c\/li\u003e\n\u003cli\u003eSuite miniature, H. 192~Poco moderato\u003c\/li\u003e\n\u003cli\u003eSuite miniature, H. 192~Andante\u003c\/li\u003e\n\u003cli\u003eSuite miniature, H. 192~Poco allegro\u003c\/li\u003e\n\u003cli\u003eSuite miniature, H. 192~Allegretto\u003c\/li\u003e\n\u003cli\u003eSuite miniature, H. 192~Moderato\u003c\/li\u003e\n\u003cli\u003ePastorales (6) for Cello and Piano~Andante\u003c\/li\u003e\n\u003cli\u003ePastorales (6) for Cello and Piano~Allegretto moderato\u003c\/li\u003e\n\u003cli\u003ePastorales (6) for Cello and Piano~Adagio\u003c\/li\u003e\n\u003cli\u003ePastorales (6) for Cello and Piano~Moderato\u003c\/li\u003e\n\u003cli\u003ePastorales (6) for Cello and Piano~Largo\u003c\/li\u003e\n\u003cli\u003ePastorales (6) for Cello and Piano~Allegretto\u003c\/li\u003e\n\u003cli\u003eWork(s)~Romance, H. 186bis\u003c\/li\u003e\n\u003cli\u003eNocturnes (4) for Cello and Piano~Andantino moderato\u003c\/li\u003e\n\u003cli\u003eNocturnes (4) for Cello and Piano~Lento\u003c\/li\u003e\n\u003cli\u003eNocturnes (4) for Cello and Piano~Moderato\u003c\/li\u003e\n\u003cli\u003eNocturnes (4) for Cello and Piano~Allegretto moderato\u003c\/li\u003e\n\u003cli\u003eAriette for Violin and Piano, H. 188\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 099925436421\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Supraphon\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.29.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Supraphon","offers":[{"title":"Default Title","offer_id":48971288772854,"sku":"50866","price":44.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2160\/4233\/files\/4429829-3399365.jpg?v=1755567053"},{"product_id":"pre-order-ensemble-masques-albinoni-bach-telemann-albinoni-concerti-new-cd","title":"Ensemble Masques \/ Albinoni * Bach Telemann \u0026 Albinoni: Concerti [New CD]","description":"\u003cp\u003e\"We have wanted to record Bach's violin concertos with Sophie Gent ever since she joined Ensemble Masques in 2003\", says Olivier Fortin, harpsichordist and founder of the ensemble that explores Baroque music with such passion. \"Sophie is an exceptional musician with an extremely convincing, honest and unpretentious style\". Another pillar of the group is Kathleen Kaji, who is the soloist for Telemann's viola concerto. \"Telemann is a fantastic storyteller,\" she says, \"who provides a plot, characters, costumes and props - and leaves you to put it all together\". Two sinfonie by Albinoni link the concertos and shine a spotlight on each musician in the ensemble.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eConcerto pour Violon en La Mineur, BWV 1041~I. [...]\u003c\/li\u003e\n\u003cli\u003eConcerto pour Violon en La Mineur, BWV 1041~II. Andante\u003c\/li\u003e\n\u003cli\u003eConcerto pour Violon en La Mineur, BWV 1041~III. Allegro assai\u003c\/li\u003e\n\u003cli\u003eSinfonia a Cinque en Sol Majeur, Op. 2 No. 1~I. Grave-Adagio\u003c\/li\u003e\n\u003cli\u003eSinfonia a Cinque en Sol Majeur, Op. 2 No. 1~II. Allegro\u003c\/li\u003e\n\u003cli\u003eSinfonia a Cinque en Sol Majeur, Op. 2 No. 1~III. 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Adagio\u003c\/li\u003e\n\u003cli\u003eConcerto pour Violon en Mi Majeur, BWV 1042~III. 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Era fatto quasi esclusivamente dilegno, ed era uno strumento molto diverso da quello odierno, costruito in metalloprezioso (argento o, meglio ancora, oro), Relativamente facile da suonare, il flautotraverso si e arricchito nel tempo di una copiosa letteratura e ha avuto i suoi eccellentivirtuosi che ne hanno incrementato la popolarità (nel secondo Novecento, per citaresolo alcuni dei più noti, Jean-Pierre Rampal, James Galway e, in Italia, SeverinoGazzelloni) e hanno direttamente o indirettamente sollecitato gli autori a scrivere perloro. La letteratura per flauto e effettivamente sterminata. Il nostro album ci offre unascelta di sei composizioni per flauto solo, scritte da cinque autori diversi, appartenentiin larga maggioranza all'area musicale di lingua tedesca; la sola eccezione e costituitadall'olandese Rudolf Escher, mentre Willy Burkhard era svizzero-tedesco. 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A secret young Lover's desire instigates an explosive metamorphosis, and Woman finds perfect release as a tree. Sivan Eldar composes with Like Flesh her first opera on a libretto by Cordelia Lynn, a poetic saga inspired by Ovid's Metamorphoses. A new eco-feminist myth about our broken relationship with an environment in crisis, interpreted by Maxime Pascal and Le Balcon, and recorded by b records at Opera de Lille.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3770005527792\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e B. Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.29.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"B. 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This distinctive quality is due not only to her extraordinary gift but also to several factors: theprofound cultural shifts she experienced between the late 19th and early 20th centuries-bridging lateRomanticism, the emergence of the avant-garde, and the advent of jazz-and her unmistakable emotionalexpressiveness. Despite the strict, self-imposed discipline of her compositional process (she wasentirely self-taught), her style remains deeply personal and authentic in every work. Looking back intime, beginning with her later compositions, one can observe a radical evolution in her writing.These works are not only a significant contribution to American piano literature but also a testamentto the transformation of an era-one that slips away from the present to become almost immediatelypart of the past. In this way, Present Reflections becomes a mirror of today's world, reflecting the epochalchanges of which we are all a part. 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And alsothat year, the Matejca - Schulmeister duo celebrated victory in the chambermusic category at the competition Concertino Praga; that opened themthe door to the studio for the making of this recording. Instead of brilliant,virtuosic show pieces, the young artists chose challenging Czech repertoireof the 20th century with pivotal works by Suk, Martinu, and Lubos Fiser.Martinu composed his Czech Rhapsody in the USA just after the end ofthe Second World War for Fritz Kreisler, who was 70 years old by then. Eventoday, this beautiful composition is a great technical challenge for the soloist.Martinu's First Violin Sonata (1929) still belongs to the composer's Paris period,as can be seen from jazz elements and the sometimes impressionistic moodof the piano part. The third composer, Lubos Fiser, is known mainly in hishomeland, but his music also earned international awards (UNESCO prize,Prix d'Italia). 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A remarkable polymath, Cowie is renowned as a composer, visual artist, and natural scientist. Because They Have Songs is the fourth in Cowie's epic series of duo-works featuring cycles of stunning 'sonic portraits' of birds he has encountered on his travels across the world, exploring the relationships between the bird singers, and where and how they sing. It follows three highly acclaimed releases featuring birds of the UK (Bird Portraits MSV 28619), Australia (Where Song Was Born MSV 28620) and the US (Where the Wood Thrush Forever Sings MEX 77104), each highlighting 24 distinct bird species. This latest release, the fifteenth to feature his music on the Metier label, is devoted to 24 avian wonders of Africa. The title of the album is taken from a traditional African text which says, \"Why do birds sing? Because they have songs\". Edward Cowie went on safari to remote parts of Botswana, across dense bush and open plains where giraffe, wildebeest, zebra and antelope roam, through vast wetlands, majestic rivers and lakes, and shrub-dotted deserts. On his journey he sketched what he saw (included in the album booklet) and transcribed the natural sounds of insects, the noises of animals in movement, and the magnificent and powerful voices of African birds in all their moods and colours. 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Here is the beauty of William Byrd and Richard Dering, two Catholics composing in Protestant England; of Leonora Duarte, a Portuguese-Jewish woman forced to live as a converso (\"New Christian\"), in Antwerp, and Parisian Elisabeth Jacquet de La Guerre, whose lost works have re-emerged with a vengeance in our own time; of the Bolognese Alfonso Ferrabosco the elder who emigrated to England, and Salomone Rossi who unusually set Hebrew texts to Western-style polyphony from his relatively tolerant position in the court of Mantua.The release of Passing Fancy: Beauty in a Moment of Chaos coincides with Sonnambula's taking up residency at New York City's newly-renovated premiere museum, The Frick Collection.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCéphale Et Procris-Overture\u003c\/li\u003e\n\u003cli\u003eFantasia No. 6 (A 5) VDGS No. 2\u003c\/li\u003e\n\u003cli\u003eGagliarda Detta la Norsina (From Il Primo Libro Delle Sinfonie Et Gagliarde)\u003c\/li\u003e\n\u003cli\u003eSinfonia No. 5\u003c\/li\u003e\n\u003cli\u003eIn Nomine a 5 VDGS No. 1\u003c\/li\u003e\n\u003cli\u003eSinfonia a 5 (From Il Primo Libro Delle Sinfonie Et Gagliarde)\u003c\/li\u003e\n\u003cli\u003eBells BK 38\u003c\/li\u003e\n\u003cli\u003eElohim Hashivenu (Psalm 80)\u003c\/li\u003e\n\u003cli\u003eSinfonia No. 4\u003c\/li\u003e\n\u003cli\u003eMy Lady Nevell's Ground BK 57 (From My Lady Nevell's Book of Virginal Music)\u003c\/li\u003e\n\u003cli\u003eFantasia No. 4 (A 5) VDGS No. 1\u003c\/li\u003e\n\u003cli\u003eSinfonia No. 7\u003c\/li\u003e\n\u003cli\u003eSonata Undecima Detta la Scatola (From Il Quarto Libro de Varie Sonate, Sinfonie, Gagliarde, Brandi, E Corrente Per Sonar Due Vi\u003c\/li\u003e\n\u003cli\u003eMi Querer Tanto Vos Quiere\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 822252274622\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Avie\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.19.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Avie","offers":[{"title":"Default Title","offer_id":49062703726838,"sku":"383865","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2160\/4233\/files\/4442489-3416393.jpg?v=1757607065"},{"product_id":"pre-order-clematis-du-bist-schon-und-lieblich-new-cd","title":"Clematis * Du Bist Schon Und Lieblich [New CD]","description":"\u003cp\u003eThe deliciously erotic aspects of the text of the Song of Solomon inspired a great many composers during the 17th century, although it remains curious that even the strictest Lutheran composers could not resist setting it to music. The majority of Hammerschmidt's pieces on this text are written for soprano or tenor voices; these obviously represent the two protagonists, the beloved and the lover. This programme is built around these works, creating an entertainment - a small sacred opera -in which evocations of love or sensual dialogues are framed by dances and instrumental pieces. 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BR-KLASSIK is now presenting this outstanding interpretation of the impressive sacred composition on CD as a live recording.The Croatian composer and conductor Boris Papandopulo (1906-1991) worked as a choirmaster, conductor and opera director in Split, Rijeka, Zagreb and Sarajevo. He created more than 400 compositions, spanning almost every genre. Although of Greek origin, Papandopulo was deeply rooted in the Croatian musical tradition, and his broad stylistic spectrum extended to neo-classicism, jazz, pop and folk music. His works combine elements of Croatian folk music with twelve-tone music and demand a high level of virtuosity. Papandopulo completed his training in Zagreb and at the New Conservatory in Vienna, spending the majority of his life in Croatia.The Croatian Mass is a sacred work in the spirit and style of centuries-old Croatian vocal music as well as being a practical choral composition. 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These recordings of the younger Wagner leading the Bayreuth Festival Orchestra, the Berlin State Opera Orchestra, and the London Symphony Orchestra were made soon after the introduction of the electrical recording process in April 1925. The painstaking audio restoration of these recordings by long-time SOMM collaborator, Lani Spahr, has been so expertly and stunningly achieved that it is difficult to believe they come from a century ago.Siegfried Wagner was named for the young hero in Richard Wagner's Ring Cycle and immortalized in the Siegfried Idyll, included on this release. He was born to Richard Wagner and his future wife, Cosima (nee Liszt), on 6 June 1869. Although Siegfried considered following a profession outside music (and, as a youth, studied architecture in Berlin and in Karlsruhe), it was inevitable that he would follow a career in music given the lineage of both his parents and his grandfather, Franz Liszt. In addition to receiving instruction in music from Liszt, the thirteen-year-old Siegfried began his advanced musical studies in Frankfurt with Engelbert Humperdinck, a true disciple of Richard Wagner. Siegfried became an assistant at Bayreuth in 1892, immersing himself in his father's music under the strong influence of Cosima Wagner and the conductor Hans Richter. In 1895, he made his debut at Bayreuth conducting a complete Ring cycle. The debut was a considerable artistic success, and Siegfried's future as the true guardian of the Wagner inheritance was assured, as he took a greater share in the direction of the Bayreuth Festival. With Cosima's full endorsement, Siegfried assumed the general directorship from his mother in 1908.Siegfried's busy professional life was devoted in the main to Bayreuth in the 1920s, but it was also during this time that he began a recording career devoted almost exclusively to hisfather's and his own works. 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