{"title":"Pre-order 03\/13\/26","description":"","products":[{"product_id":"pre-order-michaela-kramer-fanny-hensel-mendelssohn-choral-works-cantatas-new-cd","title":"Michaela Kramer * Fanny Hensel-Mendelssohn: Choral Works \u0026 Cantatas [New CD]","description":"\u003cp\u003eFanny Mendelssohn composed a diverse oeuvre that includes organ, piano and vocal works. Her organ pieces reflect the Protestant tradition and demonstrate her contrapuntal mastery. The piano works are lyrical, technically demanding and often designed as character pieces. Her vocal works are particularly numerous, including over 250 songs, which are characterized by fine word-sound combinations and romantic expressiveness. This 6 CD box allows an insight into the composer's creativity.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJahr: Ein Klavierzyklus-Januar. Ein Traum\u003c\/li\u003e\n\u003cli\u003eJahr: Ein Klavierzyklus-Februar. Scherzo\u003c\/li\u003e\n\u003cli\u003eJahr: Ein Klavierzyklus-MÃ¤rz\u003c\/li\u003e\n\u003cli\u003eJahr: Ein Klavierzyklus-April. Capriccioso\u003c\/li\u003e\n\u003cli\u003eJahr: Ein Klavierzyklus-Mai. FrÃ¼hlingslied\u003c\/li\u003e\n\u003cli\u003eJahr: Ein Klavierzyklus-Juni. Serenade\u003c\/li\u003e\n\u003cli\u003eJahr: Ein Klavierzyklus-Juli. Serenade\u003c\/li\u003e\n\u003cli\u003eJahr: Ein Klavierzyklus-August\u003c\/li\u003e\n\u003cli\u003eJahr: Ein Klavierzyklus-September. Am FluÃŸe\u003c\/li\u003e\n\u003cli\u003eJahr: Ein Klavierzyklus-Oktober\u003c\/li\u003e\n\u003cli\u003eJahr: Ein Klavierzyklus-November\u003c\/li\u003e\n\u003cli\u003eJahr: Ein Klavierzyklus-Dezember, Kantaten 4:29\u003c\/li\u003e\n\u003cli\u003eJahr: Ein Klavierzyklus-Nachspiel\u003c\/li\u003e\n\u003cli\u003eJahr: Ein Klavierzyklus-August (\u003c\/li\u003e\n\u003cli\u003eFassung)\u003c\/li\u003e\n\u003cli\u003eJahr: Ein Klavierzyklus-Dezember (\u003c\/li\u003e\n\u003cli\u003eFassung)\u003c\/li\u003e\n\u003cli\u003eKantate FÃœR Chor Und Orchester-Chor\u003c\/li\u003e\n\u003cli\u003eKantate FÃœR Chor Und Orchester-Arioso\u003c\/li\u003e\n\u003cli\u003eKantate FÃœR Chor Und Orchester-Chor\u003c\/li\u003e\n\u003cli\u003ePrÃ¤ludium FÃœR Orgel F-Dur\u003c\/li\u003e\n\u003cli\u003ePsalm 115 FÃœR Soli, Chor Und Orchester-Chor\u003c\/li\u003e\n\u003cli\u003ePsalm 115 FÃœR Soli, Chor Und Orchester-Duett Mit Chor\u003c\/li\u003e\n\u003cli\u003ePsalm 115 FÃœR Soli, Chor Und Orchester-Arioso\u003c\/li\u003e\n\u003cli\u003ePsalm 115 FÃœR Soli, Chor Und Orchester-Chor\u003c\/li\u003e\n\u003cli\u003ePrÃ¤ludium FÃœR Orgel G-Dur\u003c\/li\u003e\n\u003cli\u003eLobgesang. Kantate FÃœR Soli Chor Und Orchester-Introduzione Pastorale\u003c\/li\u003e\n\u003cli\u003eLobgesang. Kantate FÃœR Soli Chor Und Orchester-Chor\u003c\/li\u003e\n\u003cli\u003eLobgesang. Kantate FÃœR Soli Chor Und Orchester-Recitativo\u003c\/li\u003e\n\u003cli\u003eLobgesang. Kantate FÃœR Soli Chor Und Orchester-Aria\u003c\/li\u003e\n\u003cli\u003eLobgesang. Kantate FÃœR Soli Chor Und Orchester-SchluÃŸchor\u003c\/li\u003e\n\u003cli\u003ePrÃ¤ludium FÃœR Orgel G-Dur\u003c\/li\u003e\n\u003cli\u003eVerleih Uns Frieden GnÃ¤diglich\u003c\/li\u003e\n\u003cli\u003eOratorium-Introduktion. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eOratorium-Reziativ. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eOratorium-Arioso. Maestoso\u003c\/li\u003e\n\u003cli\u003eOratorium-Chor. Allegro\u003c\/li\u003e\n\u003cli\u003eOratorium-Rezitativ. in Tempo Andante\u003c\/li\u003e\n\u003cli\u003eOratorium-Rezitativ\u003c\/li\u003e\n\u003cli\u003eOratorium-Chor. Allegro\u003c\/li\u003e\n\u003cli\u003eOratorium-Arie. Allegro Di Molto\u003c\/li\u003e\n\u003cli\u003eOratorium-Rezitativ\u003c\/li\u003e\n\u003cli\u003eOratorium-Arioso. Andante Con Moto\u003c\/li\u003e\n\u003cli\u003eOratorium-Trauerchor\u003c\/li\u003e\n\u003cli\u003eOratorium-Chor Der Seligen\u003c\/li\u003e\n\u003cli\u003eOratorium-Chor. Allegro\u003c\/li\u003e\n\u003cli\u003eOratorium-Rezitativ. Allegro\u003c\/li\u003e\n\u003cli\u003eOratorium-Chor. Allegro\u003c\/li\u003e\n\u003cli\u003eSennin\u003c\/li\u003e\n\u003cli\u003eHolde Tal\u003c\/li\u003e\n\u003cli\u003eSchÃ¤fergesang\u003c\/li\u003e\n\u003cli\u003eTristesse\u003c\/li\u003e\n\u003cli\u003eSprich, O Sprich\u003c\/li\u003e\n\u003cli\u003eSuleika\u003c\/li\u003e\n\u003cli\u003eIch Hab' Ihn Gesehen\u003c\/li\u003e\n\u003cli\u003eZum Fest Der Heiligen CÃ¤cilia FÃœR Soli, Chor Und Klavier\u003c\/li\u003e\n\u003cli\u003eSzene Aus \"Faust Ii\" FÃœR Soli, Frauenchor, Und Klavier\u003c\/li\u003e\n\u003cli\u003eDrei Duette Nach Goethe-Texten FÃœR Sopran Und Alt-MÃ¤rz\u003c\/li\u003e\n\u003cli\u003eDrei Duette Nach Goethe-Texten FÃœR Sopran Und Alt-April\u003c\/li\u003e\n\u003cli\u003eDrei Duette Nach Goethe-Texten FÃœR Sopran Und Alt-Mai\u003c\/li\u003e\n\u003cli\u003eÃœber Den Gipfeln FÃœR Alt Oder Sopran Und Klavier\u003c\/li\u003e\n\u003cli\u003eAn Suleika FÃœR Alt Oder Sopran Und Klavier\u003c\/li\u003e\n\u003cli\u003eWandrers Nachtlied FÃœR Alt Oder Sopran Und Klavier\u003c\/li\u003e\n\u003cli\u003eHarfners Lied FÃœR Alt Oder Sopran Und Klavier\u003c\/li\u003e\n\u003cli\u003eDÃ¤mmerung FÃœR Alt Oder Sopran Und Klavier\u003c\/li\u003e\n\u003cli\u003eGegenwart FÃœR Alt Oder Sopran Und Klavier\u003c\/li\u003e\n\u003cli\u003eGartenlieder-Im Wald\u003c\/li\u003e\n\u003cli\u003eAriel\u003c\/li\u003e\n\u003cli\u003eLustige VÃ¶gel\u003c\/li\u003e\n\u003cli\u003eSchon Kehren Die VÃ¶gel\u003c\/li\u003e\n\u003cli\u003eSchlafe Du, Schlafe Du SÃœÃŸ FÃœR Sopran Und Alt\u003c\/li\u003e\n\u003cli\u003eLiederzyklus FÃœR Felix FÃœR Sopran-StÃ¶ren MÃ¶chte Ich Deinen Schlaf Nicht\u003c\/li\u003e\n\u003cli\u003eLiederzyklus FÃœR Felix FÃœR Sopran-GrÃ¼ner FrÃ¼hling, SÃ¼ÃŸe Mailuft\u003c\/li\u003e\n\u003cli\u003eLiederzyklus FÃœR Felix FÃœR Sopran-Nun Ist's Nicht Ã–D in Meiner Brust\u003c\/li\u003e\n\u003cli\u003eLiederzyklus FÃœR Felix FÃœR Sopran-O Sprich, Wo Bleibt Dein Heitrer Sinn?\u003c\/li\u003e\n\u003cli\u003eLiederzyklus FÃœR Felix FÃœR Sopran-Im Hochland, Bruder\u003c\/li\u003e\n\u003cli\u003eLiederzyklus FÃœR Felix FÃœR Sopran-Wir Trugen Unverdrossen\u003c\/li\u003e\n\u003cli\u003eMorgendÃ¤mmerung\u003c\/li\u003e\n\u003cli\u003eIm Herbste\u003c\/li\u003e\n\u003cli\u003eUnter Des Laubdachs Hut\u003c\/li\u003e\n\u003cli\u003eIch Stand Gelehnt An Den Mast\u003c\/li\u003e\n\u003cli\u003eMitternacht\u003c\/li\u003e\n\u003cli\u003eAbschied\u003c\/li\u003e\n\u003cli\u003eLockung\u003c\/li\u003e\n\u003cli\u003eAbschied\u003c\/li\u003e\n\u003cli\u003eAbend\u003c\/li\u003e\n\u003cli\u003eAus Meinen TrÃ¤nen\u003c\/li\u003e\n\u003cli\u003eWenn Ich in Deine Augen Seh'\u003c\/li\u003e\n\u003cli\u003eIm WunderschÃ¶nen Monat Mai\u003c\/li\u003e\n\u003cli\u003eSchÃ¶ne Fremde\u003c\/li\u003e\n\u003cli\u003eSchweigend Sinkt Die Nacht Hernieder\u003c\/li\u003e\n\u003cli\u003eNacht Liegt Auf Den Fremden Wegen\u003c\/li\u003e\n\u003cli\u003eHochzeitsbitter\u003c\/li\u003e\n\u003cli\u003eWandl' Ich in Dem Wald\u003c\/li\u003e\n\u003cli\u003eFrÃ¼hzeitiger FrÃ¼hling\u003c\/li\u003e\n\u003cli\u003eBlumengruÃŸ\u003c\/li\u003e\n\u003cli\u003eO Herbst\u003c\/li\u003e\n\u003cli\u003eSchilflied\u003c\/li\u003e\n\u003cli\u003eFeldlied\u003c\/li\u003e\n\u003cli\u003eMÃ„RZ\u003c\/li\u003e\n\u003cli\u003eLichter Mai\u003c\/li\u003e\n\u003cli\u003eWaldruhe\u003c\/li\u003e\n\u003cli\u003eNachtreigen\u003c\/li\u003e\n\u003cli\u003eVier Lieder Ohne Wort Op. 8-I. 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Theirsecond major album, 'Complicated Mind,' has been remastered and finally reissued on a 2-disc vinyl set!Since their debut in 1986, Doom has continued to captivate fans across time, nationality and genre with their unique and original sound. This work, 'Complicated Mind,' is their first full-length album since moving to a major label. The CD version contained 10 tracks, and the LP version contained 9 tracks, but this time it has been reissued on analog with all 10 tracks ('Poor Boy Condition' is being released on analog for the first time). The members chose New York as the center of culture, and fashion, culture, and music were at the cutting edge of street level at the time, so the track was recorded in New York (engineered by Steve Linsley). The album retains their unique individuality, but with a more straightforward feel, and the arrangements are well-crafted, clearly reflecting the work they did in America. This is Doom's most thrashy and easy-to-listen-to album. 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Together with Hanssler Classics and the Athenaeum Foundation, the pianist is developing a long-term project to record Schubert's complete solo piano works. 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The theme song for the 1978 TV drama 'The Great Chase,' for which he was also in charge of music, is being reissued in analog form for the first time in 47 years since it's original release.SIDE A1. Theme From 'The Great Chase'SIDE B1. 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I\u003c\/li\u003e\n\u003cli\u003eVariationen Und Fuge Ãœber Ein Thema Von HÃ¤ndel Op. 24-Var. II. Animato\u003c\/li\u003e\n\u003cli\u003eVariationen Und Fuge Ãœber Ein Thema Von HÃ¤ndel Op. 24-Var. III. Dolce\u003c\/li\u003e\n\u003cli\u003eVariationen Und Fuge Ãœber Ein Thema Von HÃ¤ndel Op. 24-Var. IV. Risoluto\u003c\/li\u003e\n\u003cli\u003eVariationen Und Fuge Ãœber Ein Thema Von HÃ¤ndel Op. 24-Var. V. Espressivo\u003c\/li\u003e\n\u003cli\u003eVariationen Und Fuge Ãœber Ein Thema Von HÃ¤ndel Op. 24-Var. VI\u003c\/li\u003e\n\u003cli\u003eVariationen Und Fuge Ãœber Ein Thema Von HÃ¤ndel Op. 24-Var. VII. Con VivacitÃ \u003c\/li\u003e\n\u003cli\u003eVariationen Und Fuge Ãœber Ein Thema Von HÃ¤ndel Op. 24-Var. VIII\u003c\/li\u003e\n\u003cli\u003eVariationen Und Fuge Ãœber Ein Thema Von HÃ¤ndel Op. 24-Var. IX. Poco Sostenuto\u003c\/li\u003e\n\u003cli\u003eVariationen Und Fuge Ãœber Ein Thema Von HÃ¤ndel Op. 24-Var. X. Energico\u003c\/li\u003e\n\u003cli\u003eVariationen Und Fuge Ãœber Ein Thema Von HÃ¤ndel Op. 24-Var. XI. Dolce\u003c\/li\u003e\n\u003cli\u003eVariationen Und Fuge Ãœber Ein Thema Von HÃ¤ndel Op. 24-Var. XII. Soave\u003c\/li\u003e\n\u003cli\u003eVariationen Und Fuge Ãœber Ein Thema Von HÃ¤ndel Op. 24-Var. XIII. Largamente, Ma Non PiÃ¹\u003c\/li\u003e\n\u003cli\u003eVariationen Und Fuge Ãœber Ein Thema Von HÃ¤ndel Op. 24-Var. XIV. Sciolto\u003c\/li\u003e\n\u003cli\u003eVariationen Und Fuge Ãœber Ein Thema Von HÃ¤ndel Op. 24-Var. XV\u003c\/li\u003e\n\u003cli\u003eVariationen Und Fuge Ãœber Ein Thema Von HÃ¤ndel Op. 24-Var. XVI. Ma Marcato\u003c\/li\u003e\n\u003cli\u003eVariationen Und Fuge Ãœber Ein Thema Von HÃ¤ndel Op. 24-Var. XVII. PiÃ¹ Mosso\u003c\/li\u003e\n\u003cli\u003eVariationen Und Fuge Ãœber Ein Thema Von HÃ¤ndel Op. 24-Var. XVIII. Grazioso\u003c\/li\u003e\n\u003cli\u003eVariationen Und Fuge Ãœber Ein Thema Von HÃ¤ndel Op. 24-Var. XIX. Leggiero E Vivace\u003c\/li\u003e\n\u003cli\u003eVariationen Und Fuge Ãœber Ein Thema Von HÃ¤ndel Op. 24-Var. XX. Legato\u003c\/li\u003e\n\u003cli\u003eVariationen Und Fuge Ãœber Ein Thema Von HÃ¤ndel Op. 24-Var. XXI. Dolce\u003c\/li\u003e\n\u003cli\u003eVariationen Und Fuge Ãœber Ein Thema Von HÃ¤ndel Op. 24-Var. XXII\u003c\/li\u003e\n\u003cli\u003eVariationen Und Fuge Ãœber Ein Thema Von HÃ¤ndel Op. 24-Var. XXIII. Vivace E Staccato\u003c\/li\u003e\n\u003cli\u003eVariationen Und Fuge Ãœber Ein Thema Von HÃ¤ndel Op. 24-Var. XXIV\u003c\/li\u003e\n\u003cli\u003eVariationen Und Fuge Ãœber Ein Thema Von HÃ¤ndel Op. 24-Var. XXV\u003c\/li\u003e\n\u003cli\u003eVariationen Und Fuge Ãœber Ein Thema Von HÃ¤ndel Op. 24-Fuga\u003c\/li\u003e\n\u003cli\u003eVariationen Ãœber Ein Thema Von Robert Schumann Op. 9-Thema. Ziemlich Langsam\u003c\/li\u003e\n\u003cli\u003eVariationen Ãœber Ein Thema Von Robert Schumann Op. 9-Var. 1\u003c\/li\u003e\n\u003cli\u003eVariationen Ãœber Ein Thema Von Robert Schumann Op. 9-Var.\u003c\/li\u003e\n\u003cli\u003ePoco PiÃ¹ Moto, Espressivo\u003c\/li\u003e\n\u003cli\u003eVariationen Ãœber Ein Thema Von Robert Schumann Op. 9-Var.\u003c\/li\u003e\n\u003cli\u003eTempo Di Tema\u003c\/li\u003e\n\u003cli\u003eVariationen Ãœber Ein Thema Von Robert Schumann Op. 9-Var.\u003c\/li\u003e\n\u003cli\u003ePoco PiÃ¹ Moto, Espressivo Legato\u003c\/li\u003e\n\u003cli\u003eVariationen Ãœber Ein Thema Von Robert Schumann Op. 9-Var.\u003c\/li\u003e\n\u003cli\u003eAllegro Capriccioso\u003c\/li\u003e\n\u003cli\u003eVariationen Ãœber Ein Thema Von Robert Schumann Op. 9-Var.\u003c\/li\u003e\n\u003cli\u003eAllegro\u003c\/li\u003e\n\u003cli\u003eVariationen Ãœber Ein Thema Von Robert Schumann Op. 9-Var.\u003c\/li\u003e\n\u003cli\u003eAndante\u003c\/li\u003e\n\u003cli\u003eVariationen Ãœber Ein Thema Von Robert Schumann Op. 9-Var.\u003c\/li\u003e\n\u003cli\u003eAndante (Non Troppo Lento), Espressivo\u003c\/li\u003e\n\u003cli\u003eVariationen Ãœber Ein Thema Von Robert Schumann Op. 9-Var.\u003c\/li\u003e\n\u003cli\u003eSchnell\u003c\/li\u003e\n\u003cli\u003eVariationen Ãœber Ein Thema Von Robert Schumann Op. 9-Var. 1\u003c\/li\u003e\n\u003cli\u003ePoco Adagio, Espressivo Dolce\u003c\/li\u003e\n\u003cli\u003eVariationen Ãœber Ein Thema Von Robert Schumann Op. 9-Var. 1\u003c\/li\u003e\n\u003cli\u003eUn Poco PiÃ¹ Animato\u003c\/li\u003e\n\u003cli\u003eVariationen Ãœber Ein Thema Von Robert Schumann Op. 9-Var. 1\u003c\/li\u003e\n\u003cli\u003eAllegretto, Poco Scherzando, Staccato E Leggiero\u003c\/li\u003e\n\u003cli\u003eVariationen Ãœber Ein Thema Von Robert Schumann Op. 9-Var. 1\u003c\/li\u003e\n\u003cli\u003eNon Troppo Presto, Molto Leggiero\u003c\/li\u003e\n\u003cli\u003eVariationen Ãœber Ein Thema Von Robert Schumann Op. 9-Var. 1\u003c\/li\u003e\n\u003cli\u003eAndante, Espressivo\u003c\/li\u003e\n\u003cli\u003eVariationen Ãœber Ein Thema Von Robert Schumann Op. 9-Var. 1\u003c\/li\u003e\n\u003cli\u003ePoco Adagio, Espressivo\u003c\/li\u003e\n\u003cli\u003eVariationen Ãœber Ein Thema Von Robert Schumann Op. 9-Var. 16\u003c\/li\u003e\n\u003cli\u003eVariationen Ãœber Ein Eigenes Thema Op. 21 NR. 1-Thema. Poco Larghetto, Poco Forte, Molto Espressivo E Legato\u003c\/li\u003e\n\u003cli\u003eVariationen Ãœber Ein Eigenes Thema Op. 21 NR. 1-Var.\u003c\/li\u003e\n\u003cli\u003eMolto Piano E Legato\u003c\/li\u003e\n\u003cli\u003eVariationen Ãœber Ein Eigenes Thema Op. 21 NR. 1-Var.\u003c\/li\u003e\n\u003cli\u003ePiÃ¹ Moto, Espressivo\u003c\/li\u003e\n\u003cli\u003eVariationen Ãœber Ein Eigenes Thema Op. 21 NR. 1-Var.\u003c\/li\u003e\n\u003cli\u003eDolce\u003c\/li\u003e\n\u003cli\u003eVariationen Ãœber Ein Eigenes Thema Op. 21 NR. 1-Var.\u003c\/li\u003e\n\u003cli\u003eDolce\u003c\/li\u003e\n\u003cli\u003eVariationen Ãœber Ein Eigenes Thema Op. 21 NR. 1-Var.\u003c\/li\u003e\n\u003cli\u003eTempo Di Tema, Canone in Moto Contrario, Molto Dolce, Teneramente\u003c\/li\u003e\n\u003cli\u003eVariationen Ãœber Ein Eigenes Thema Op. 21 NR. 1-Var.\u003c\/li\u003e\n\u003cli\u003ePiÃ¹ Moto, Espressivo, Legato\u003c\/li\u003e\n\u003cli\u003eVariationen Ãœber Ein Eigenes Thema Op. 21 NR. 1-Var.\u003c\/li\u003e\n\u003cli\u003eAndante Con Moto, Dolce\u003c\/li\u003e\n\u003cli\u003eVariationen Ãœber Ein Eigenes Thema Op. 21 NR. 1-Var.\u003c\/li\u003e\n\u003cli\u003eAllegro Non Troppo, Poco Forte\u003c\/li\u003e\n\u003cli\u003eVariationen Ãœber Ein Eigenes Thema Op. 21 NR. 1-Var. 9\u003c\/li\u003e\n\u003cli\u003eVariationen Ãœber Ein Eigenes Thema Op. 21 NR. 1-Var. 1\u003c\/li\u003e\n\u003cli\u003eEspressivo Agitato\u003c\/li\u003e\n\u003cli\u003eVariationen Ãœber Ein Eigenes Thema Op. 21 NR. 1-Var. 1\u003c\/li\u003e\n\u003cli\u003eTempo Di Tema, Poco PiÃ¹ Lento, Dolce\u003c\/li\u003e\n\u003cli\u003eStudies (5) for Piano, Anh. 1A\/1-Chaconne Von J.S. 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'Irretrievably forgotten' was the verdict of the musicologist Richard Taruskin on the music of Cesar Cui. He would be deprecated in our time as a dilettante composer, being a man of parts who made his career in the Russian military, firstly as an officer and then as an expert on fortifications. In that capacity Cui became a professor in Moscow while also writing prolifically about music: he was known as a stern critic, and he played an instrumental role in promoting a new, distinctively Russian school of music which built on the nationalist operas of Glinka and Mussorgsky. In that context, Cui's own music sounds at odds with his philosophy, cultivating as it does a central-European poetic style indebted to the examples of Chopin and Schumann. Marco Rapetti is the first-ever pianist to record his complete piano output, and this first volume covers the years 1877 to 1888, from the Trois morceaux Op.8 to the Trois mouvements de valse Op.41. Delightful sets of miniatures include mazurkas and serenades no less charming for their brevity. Most substantial of the collections featured here are the Suite Op.21, dedicated to Franz Liszt, and a suite of nine 'pieces caracteristiques' Op.40, dedicated to the count and countess de Mercy-Argenteau; the countess was a tireless promoter of Cui's music in western Europe. Marco Rapetti has made a speciality of recording neglected Russian piano music, including sets on Brilliant Classics dedicated to the work of Alexander Borodin and Anatoly Lyadov. 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Their music draws heavily from the foundations laid by the pioneers of the genre, yet embraces a more shadowy and arcane approach, evoking themes of witchcraft, steel and fire. This balance between reverence for tradition and a hunger for reinvention quickly positioned WICKED LEATHER as one of the most promising new acts in the European underground.The band's first recording \"Echoes of the Storm\" (Single 2024) showcased their unrelenting energy and gave a glimpse of their creative force, earning them recognition among fans and media alike. In 2025, WICKED LEATHER entered the studio to craft their debut full-length album \"Season Of The Witch\", a record designed to capture not only the power of their riffs and the intensity of their performances, but also the darker, ritualistic aura that has become their signature. 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Their music draws heavily from the foundations laid by the pioneers of the genre, yet embraces a more shadowy and arcane approach, evoking themes of witchcraft, steel and fire. This balance between reverence for tradition and a hunger for reinvention quickly positioned WICKED LEATHER as one of the most promising new acts in the European underground.The band's first recording \"Echoes of the Storm\" (Single 2024) showcased their unrelenting energy and gave a glimpse of their creative force, earning them recognition among fans and media alike. In 2025, WICKED LEATHER entered the studio to craft their debut full-length album \"Season Of The Witch\", a record designed to capture not only the power of their riffs and the intensity of their performances, but also the darker, ritualistic aura that has become their signature. 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