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Contrasting and complementing these 16th-century masterpieces are spellbinding settings of words by Saint John Henry Newman: Sir James MacMillan'sÂ Nothing in VainÂ for soloists and double choir and the world premiere of Kerensa Briggs'Â Lead, kindly light, specially commissioned for this album.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 828021621826\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Coro\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.3.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Coro","offers":[{"title":"Default Title","offer_id":49857117585654,"sku":"82702562","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2160\/4233\/files\/4484276-3505494.jpg?v=1767902214"},{"product_id":"pre-order-bach-collegium-japan-mendelssohn-sym-no-2-lobgesang-new-cd","title":"Bach Collegium Japan * Mendelssohn: Sym No. 2 Lobgesang [New CD]","description":"\u003cp\u003eMasaaki Suzuki and the Bach Collegium Japan, renowned for their definitive interpretations of Bach's vocal music, have also garnered critical acclaim for their recordings of major choral and orchestral works, including Mozart's Requiem and the Mass in C minor, Beethoven's Missa Solemnis and Symphony No. 9, and Brahms's Ein deutsches Requiem. Their latest venture sees them turn their expertise to Felix Mendelssohn's symphony-cantata, Symphony No. 2 'Lobgesang' (Hymn of Praise). Scored for soloists, choir and orchestra, the work comprises three symphonic movements and a final chorus - a design that clearly echoes Beethoven's Ninth Symphony. Yet, Mendelssohn takes this concept further, with the concluding cantata section occupying two-thirds of the entire work's duration. It's text draws from biblical excerpts and specially commissioned poems. The initial symphonic movements, steeped in German Romanticism, deftly alternate with chorale-like passages, establishing a profound link to the ancient cantata tradition that defines the monumental finale.Premiered at St Thomas' Church in Leipzig (the same church where Mendelssohn's hero, Johann Sebastian Bach, once worked), the work celebrates the 400th anniversary of Gutenberg's invention of the printing press. 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Recitative and Aria: Saget es, die ihr erl\u003c\/li\u003e\n\u003cli\u003eSymphony No. 2 in B flat major, 'Lobgesang' ('Hymn of Praise') Op. 52 (MWV A 18)~IV. Chorus: Sagt, es die ihr erlÃ¶set seid. A t\u003c\/li\u003e\n\u003cli\u003eSymphony No. 2 in B flat major, 'Lobgesang' ('Hymn of Praise') Op. 52 (MWV A 18)~V. Soprano Duet and Chorus: Ich harrete des Her\u003c\/li\u003e\n\u003cli\u003eSymphony No. 2 in B flat major, 'Lobgesang' ('Hymn of Praise') Op. 52 (MWV A 18)~VI. Aria and Recitative: Stricke des Todes . Wi\u003c\/li\u003e\n\u003cli\u003eSymphony No. 2 in B flat major, 'Lobgesang' ('Hymn of Praise') Op. 52 (MWV A 18)~VII. Chorus and Soprano Solo: Die Nacht ist ver\u003c\/li\u003e\n\u003cli\u003eSymphony No. 2 in B flat major, 'Lobgesang' ('Hymn of Praise') Op. 52 (MWV A 18)~VIII. Chorale: Nun danket alle Gott. Andante co\u003c\/li\u003e\n\u003cli\u003eSymphony No. 2 in B flat major, 'Lobgesang' ('Hymn of Praise') Op. 52 (MWV A 18)~IX. Duet: Drum sing ich mit meinem Liede. 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Glorious Mahalia, a visionary tribute to Jackson's life by the internationally renowned Kronos Quartet, uses that moment as a springboard to explore the depth of Jackson's musical craft and it's impact on the Civil Rights Movement, including her relationship with Clarence Jones and Studs Terkel, other luminaries of the time. Featuring compositions by Stacy Garrop and Zachary James Watkins, a new arrangement of Jackson's astonishing version of the Antonio Haskell composition \"God Shall Wipe All Tears Away,\" and archival audio of Jackson's voice, the album illuminates Jackson's historic artistry and advocacy.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGlorious Mahalia: I. Hold on\u003c\/li\u003e\n\u003cli\u003eGlorious Mahalia: II. Stave in the Ground\u003c\/li\u003e\n\u003cli\u003eGlorious Mahalia: III. 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On Cornwall's rugged coast, during a Prussia Cove masterclass, after an illuminating lesson, a sight-reading session, and a candlelit dinner, Sara invited Susanne to form a quartet. After that first conversation, it took some time to find two other brave musicians, both beyond their mid-twenties, who were willing to embark on the exciting, sometimes complex, and risky adventure that is a string quartet. Fortunately, Eszter and Bas joined soon after, with great enthusiasm. As usual, naming proved a challenge. Some suggested using the first violinist's surname; others, a Greek god. A few warned, \"Don't start with A - there are too many.\" Then came a provocative idea: why not call it Chaos? Furthermore, the quartet enjoys inspiring the next generation, sharing it's experience as Young Artists in Residence at Vienna's University of Music and Performing Arts, cheekily sparking a little chaos among the artists of tomorrow. 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