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The centerpieces are Beethoven's Grande Sonate Pathetique and Liszt's second legend of St. Francis, as well as Ferjencikova's fascinating arrangement of the aria \"Tristis est anima mea\" from his oratorio \"Christus.\" The Seifert instrument used for the recording is at the heart of the numerous musical activities of \"Orgelwelten Ratingen\" and, thanks to it's tonal diversity, is extremely versatile. The new SACD (stereo and 5.1 multichannel surround) reproduces the sound of the instrument, distributed in several locations in the room, in all it's multidimensionality with remarkable plasticity.Die international gefragte Konzertorganistin Zuzana Ferjencikova, die bei AEOLUS an einer Gesamtaufnahme der Orgelwerke von Jean Guillou arbeitet, ist auf ihrem neuen Album \"Legendes\" mit ihren eignenen Transkriptionen von Werken Beethovens, Mozarts, Schumanns und Liszts zu horen. I'm Zentrum stehen dabei vor Beethovens Grande Sonate Pathetique und Liszts zweite Franziskuslegende sowie Ferjencikovas faszinierende Bearbeitung der Arie \"Tristis est anima mea\" aus dessen Oratorium \"Christus\". Das fur die Aufnahme verwendete Instrument der Firma Seifert steht i'm Zentrum der zahlreichen musikalischen Aktivitaten der \"Orgelwelten Ratingen\" und ist Dank seiner Klangfarbenvielfalt extrem vielseitig einsetzbar. 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Now issued as a triple gold audiophile LP, this deluxe pressing follows the album's acclaimed release on SACD and Dolby Atmos digital, which drew widespread praise for both it's sonic fidelity and interpretative depth.Recorded at Berlin's renowned Teldex Studios with producer Julian Schwenkner and engineer Jupp Wegner, the album uses a 14-microphone setup to capture the full breadth of Schliessmann's artistry - revealing the intricate emotional architecture and expression of Schumann's writing.Schliessmann draws out the music's structural sophistication, making bold connections to Wagner's Tristan, while with spacious, poetic lyricism. The result is a revelatory journey through Schumann's psyche - one that Schumann Journal described as \"completely new, surprising and unexpected. a MUST!\" (Irmgard Knechtges-Obrecht), while the American Record Guide hailed the album's \"perfect\" sound as \"one of the most beautiful-sounding recordings I've heard recently\" (Rob Haskins).Pressed on triple heavyweight gold vinyl, this edition delivers analogue warmth and detail that will reward the most discerning listener. 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Each of them has expressed, in their own way, their deep attachment to her world.Whether they knew her, sang her songs, or simply admired her, they pay her a sincere tribute here, on a human level, in the emotion of a live performance.Rendez-vous Sylvestre is not just a series of videos or an album. It is a bridge between generations, a living memory, a group of artists who affirm that Anne Sylvestre's words are more necessary than ever. The location was not chosen at random: these recordings took place in the legendary Studio Ferber in Paris, where she made her last albums. Each artist chose their own cover version and provided their own musical direction. 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The gatefold jacket opens into a 3D pop-up of Gabby’s Dollhouse, bringing one of the show’s most beloved settings to life in a playful, display-worthy way.\u003cbr\u003eInside, you’ll find 16 songs from the hit series, including fan favorites like “Sprinkle Party,” “Hey Gabby,” and the festive “Halloween Holla Holla.” From dance-along moments to imaginative play, the music captures all the warmth, creativity, and positivity that define Gabby’s Dollhouse.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003eTracklist\u003cbr\u003eSIDE A:\u003cbr\u003e1. Hey Gabby! – Gabby’s Version\u003cbr\u003e2. Sprinkle Party\u003cbr\u003e3. The Music In You\u003cbr\u003e4. Whoopsies\u003cbr\u003e5. Halloween Holla Holla\u003cbr\u003e6. Silly Bad Guys\u003cbr\u003e7. You Can’t Spell Meow Without Me\u003cbr\u003e8. Marty Party\u003cbr\u003eSIDE B:\u003cbr\u003e9. Spa Science\u003cbr\u003e10. I Love A Rainbow\u003cbr\u003e11. Dance Like A Gabby Cat\u003cbr\u003e12. 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Edwards. Featuring a throwback to sixties instrumental sounds reminiscent of The Ventures, Iron Butterfly, Procol Harum and King Crimson, Horizon Of Tomorrow is a tribute to the instrumental styles of the those great sixties bands. Imagine yourself in the late 1960s in Hollywood at the filming of some great era television shows and films. These songs are an instrumental trip through that memory lane. 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Edwards. From power rock ballads to progressive rock anthems, symphonic metal, new wave anthems and power pop, Rhythm On The Radio is the best of symphonic cinematic rock with a progressive flare. Singles include the Roxy Music inspired title track, the Eagles styled \"Midnight Mirage\", a new wave Animotion-styled tune \"Do You Control Me?\", the ELO influenced \"Mirrors In The Night\", the Kate Bush flavored \"A Secret Never Told\" and \"It's Just The Way We Grow\". For fans of ELO, Roxy Music, Asia, Genesis, Foreigner, Human League, Fleetwood Mac, Journey, Styx, The Buggles and more! Guest performances by Phil Manzanera and Paul Carrack.Video clips on YouTube for promotion of singles \"Rhythm On The Radio\", \"It's Just The Way We Grow\", \"Mirrors In The Night\", \"Midnight Mirage\", \"A Secret Never Told\", \"Do You Control Me\" and \"Where Shadows Learn To Glow.\"\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRhythm on the Radio (5:50)\u003c\/li\u003e\n\u003cli\u003eIt's Just the Way We Grow (4:40)\u003c\/li\u003e\n\u003cli\u003ea Secret Never Told (4:56)\u003c\/li\u003e\n\u003cli\u003eMirrors in the Night (7:19)\u003c\/li\u003e\n\u003cli\u003eMidnight Mirage (6:10)\u003c\/li\u003e\n\u003cli\u003eHeaven Is Right Here with You (6:14)\u003c\/li\u003e\n\u003cli\u003eWhere Shadows Learn to Glow (4:51)\u003c\/li\u003e\n\u003cli\u003eVoices in the Fire (5:52)\u003c\/li\u003e\n\u003cli\u003eOnly When You're Gone (4:45)\u003c\/li\u003e\n\u003cli\u003eCrimson Siren (5:53)\u003c\/li\u003e\n\u003cli\u003eEchoes of Tomorrow (6:35)\u003c\/li\u003e\n\u003cli\u003ethe Curtain Falls (6:21)\u003c\/li\u003e\n\u003cli\u003eDo You Control Me? 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From power rock ballads to progressive rock anthems, symphonic metal and power pop, The Last Frontier is the best of symphonic cinematic rock with a progressive flare. Companion video clips available on YouTube for internet hits \"Firestarter\", \"Limelight\", \"I'm Your Angel, I'm Your Devil\", \"Dreaming Of You\", \"Cyberbabe\", \"The Girl With A Thousand Faces\", \"How Long Is Forever\" and \"The Last Frontier\". 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