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A walk across the salt flats. A pixelated moon on a touchscreen. A song set on the final day on earth. A song you can't send to someone, because they're no longer there. True, the debut album from Tenderness - the solo project of Katy Beth Young (Peggy Sue, Deep Throat Choir) - leads you by the hand through scenes like these, on deceptively simple, country-adjacent songs that shimmer with electric guitars and drones and licks of pedal steel. Songs that look sideways at romance and grief and technology. Songs that break hearts with their precise and thoughtful beauty as well as their sadness. Songs that are, by turns, tender like a touch, tender like a bruise.True is a solo album in name, but a communal one in spirit, made alongside producer Euan Hinshelwood (Younghusband, Cate Le Bon), who contributes bass as well as layers of electric guitars, synths and drones. Longtime collaborators appear throughout: Peggy Sue's Clay Slade and Olly Joyce, La Luz's Marian Li-Pino, and members of Deep Throat Choir. Pedal steel comes from Harry Bohay (Aldous Harding, Sylvie). Backing vocals come from Berlin musicians Martha Rose, Dandy Deniz and Benjamin Gregory. The album's finishing touches - strings and synths - were added by producer Chloe Kraemer. The result is an album that feels both deeply personal and quietly expansive - a collection of songs born from solitude but shaped by community, rooted in heartache yet reaching toward something hopeful. FFO: Mitski, Angel Olsen, Waxahatchee, Laura Marling\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSaturday Morning\u003c\/li\u003e\n\u003cli\u003eThe Salt Flats\u003c\/li\u003e\n\u003cli\u003eTrue\u003c\/li\u003e\n\u003cli\u003eTouchscreen\u003c\/li\u003e\n\u003cli\u003eWe'll Always Have Paris 1919\u003c\/li\u003e\n\u003cli\u003ePeacetime\u003c\/li\u003e\n\u003cli\u003eDatabase Blues\u003c\/li\u003e\n\u003cli\u003eDay of Atonement\u003c\/li\u003e\n\u003cli\u003eHeat Wave Love Song\u003c\/li\u003e\n\u003cli\u003ePlaying 'Country Roads'\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5053760143093\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Amorphous Sounds\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.10.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e New Vinyl Record\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Amorphous Sounds","offers":[{"title":"Default Title","offer_id":49287775650038,"sku":"56327401","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2160\/4233\/files\/4471776-3477053.jpg?v=1763008870"},{"product_id":"pre-order-joe-jackson-hope-and-fury-180-gram","title":"Joe Jackson * Hope and Fury [180 Gram]","description":"\u003cdiv\u003eHope and Fury is the new studio album by Grammy-winning artist Joe Jackson, written and recorded between Berlin and New York City.\u003cbr\u003e \u003cbr\u003eThe album features nine new songs performed with Jackson’s longtime band – Graham Maby (bass), Teddy Kumpel (guitar), Doug Yowell (drums) – and Peruvian percussionist Paulo Stagnaro.\u003cbr\u003e \u003cbr\u003eProduced by Joe Jackson with Patrick Dillett, Hope and Fury marks a return to what Jackson calls his “own mainstream”: sophisticated pop songs drawing from rock, jazz, funk, and Latin influences – or, in his words, “Bicoastal LatinJazzFunkRock.”\u003cbr\u003e \u003cbr\u003eOpening track “Welcome to Burning-By-Sea” describes a fictional seaside town inspired Jackson’s hometown Portsmouth – a sharp portrait that becomes a microcosm of an entire country. “End of the Pier” contrasts British life in 1922 with its post-pandemic reflection a century later, while “I’m Not Sorry,” “Fabulous People,” and “Do Do Do” showcase Jackson’s trademark humour, from biting sarcasm to playful mockery. 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