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Dvorak,approaching fifty and at the height of his fame, had been persuadedto devote some of his time to teaching at the Conservatoire, thereby creatinga lasting legacy, an influential \"Dvorak School\" of composers, several of whomwent on to teach at the Conservatoire themselves, passing on the traditionto future generations. Naturally, the most room is given to Josef Suk,the pupil of Dvorak who left the most original legacy of compositions.A separate CD is devoted to Dvorak's lesser-known pupils: the talentedmelodist Oskar Nedbal won fame for his operettas, and Julius Fucik iscelebrated for his witty marches, while the legendary violinist Jaroslav Kocianwrote music for his own instrument, and the Czechoslovak Legionnaire RudolfKarel was an exemplary patriot. Also of interest are composers who areentirely forgotten apart from a single work of greater significance, like AdolfPiskacek, Vojtech Kuchynka, and Arnost Praus. A third CD belongsto the underappreciated master Vitezslav Novak, whose distinctivemodernism builds upon Dvorak in an interesting manner. Once again, thereis an excellent selection of music from the Supraphon catalogue with all ofthe most important names such as the violinist Josef Suk, the pianist IvanMoravec, and the conductors Vaclav Talich, Karel sejna, and Libor Pesek.Other outstanding performers on this compilation include Igor Ardashev,Jan Panenka, Emil Leichner, Josef Vlach, Josef Veselka, Karla sroubek, VaclavSnitil, Richard Novak, Beno Blachut, Ivan Kusnjer, and many others. The Englishmusic journalist Patrick Lambert, an important expert on Czech music withdeep knowledge of the Supraphon catalogue, selected the music and wrotethe insightful text in the booklet.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTowards a New Life. 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Known for hosting groundbreaking opera premieres in the 19th century, La Fenice has staged legendary works from the masters of the Bel Canto era-Rossini, Bellini, Donizetti, and Verdi. Each year, a quarter-million visitors from around the globe are drawn to this historic venue, while the Orchestra and Chorus of Teatro La Fenice now perform worldwide, including a celebrated appearance at Hamburg's Elbphilharmonie in July 2024.Now, Teatro La Fenice proudly presents a collection of it's finest opera recordings from the past 30 years, available for the first time on CD. Featuring between 10 and 15 carefully selected operas each year, these recordings bring the magic of La Fenice's world-renowned performances to your home. 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Known for hosting groundbreaking opera premieres in the 19th century, La Fenice has staged legendary works from the masters of the Bel Canto era-Rossini, Bellini, Donizetti, and Verdi. Each year, a quarter-million visitors from around the globe are drawn to this historic venue, while the Orchestra and Chorus of Teatro La Fenice now perform worldwide, including a celebrated appearance at Hamburg's Elbphilharmonie in July 2024.Now, Teatro La Fenice proudly presents a collection of it's finest opera recordings from the past 30 years, available for the first time on CD. Featuring between 10 and 15 carefully selected operas each year, these recordings bring the magic of La Fenice's world-renowned performances to your home. 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Known for hosting groundbreaking opera premieres in the 19th century, La Fenice has staged legendary works from the masters of the Bel Canto era-Rossini, Bellini, Donizetti, and Verdi. Each year, a quarter-million visitors from around the globe are drawn to this historic venue, while the Orchestra and Chorus of Teatro La Fenice now perform worldwide, including a celebrated appearance at Hamburg's Elbphilharmonie in July 2024.Now, Teatro La Fenice proudly presents a collection of it's finest opera recordings from the past 30 years, available for the first time on CD. Featuring between 10 and 15 carefully selected operas each year, these recordings bring the magic of La Fenice's world-renowned performances to your home. 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There were no orchestras of international stature, and the dividing line between the inspired amateur and the professional musician was as yet unclear. Two musicians, Johann Wilhelm Wilms (1772-1847) and Johannes Meinardus Coenen (1824-1899), played an important role in the gradual establishment of a professional musical life. Johann Wilms may be counted among the leading Dutch composers of his generation. His many activities as a composer, musician, organist and organizer have been of invaluable importance to musical life in the Netherlands. Wilms is chiefly remembered as the composer of Wien Neêrlands bloed, which served as the Dutch national anthem before Wilhelmus. Wilms' compositions were published in Germany, Britain and Denmark as well as the Netherlands. In his Concertino in G minor for flute and orchestra (c.1814), Wilms balances on the borderline between the classical and the romantic. At times, the piece displays a Beethovian flair.Theodoor Verhey (1848-1929) seems to have been of a somewhat less ambitious disposition than Johann Wilms or Johan Coenen. Alter attending the School of Music in his home town Rotterdam and the Royal Conservatoire in The Hague, Verhey studied for four years with Woldemar Bargiel, a stepbrother of Clara Schumann and a member of the Leipzig circle around Schumann, Brahms and Joachim.Verhey's music moves comfortably within the musical conventions of his day. He preferred to use classical forms and harmonies. The strength of his flute concertos lies in their almost disarming simplicity and in the efficient vehicle they provides for the flute to show off it's expressive powers through the registers in a virtuoso display. The gypsy manner ('alla zingara'), which Verhey often uses, naturally invites such a display.Played with great virtuosity, flair and sensitivity by Jacques Zoon, one of the world's foremost flute players. 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According to Fanfare, 'Ammara reveals her sensitivity to the Debussy sound world, rife with blurred outlines of objects and infiltrated with variegated light, in the manner of the painter J.M.W. Turner.'For Volume 3, her focus turns principally to the set of 12 Etudes which miraculously took shape over the course of just two months, in August and September 1915. Plagued by ill-health following the diagnosis of rectal cancer in 1909, presented with the pressing need to increase his earnings through editing and performing, Debussy wrote the Etudes while staying in a town near Dieppe, on the Normandy coast. Emerging from a period of severe depression, he once more took inspiration from the sea in a sudden and final burst of creativity which also saw the composition of the suite for two pianos, en blanc et noir, and the Sonata for Flute, Viola and Harp. 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Known for hosting groundbreaking opera premieres in the 19th century, La Fenice has staged legendary works from the masters of the Bel Canto era-Rossini, Bellini, Donizetti, and Verdi. Each year, a quarter-million visitors from around the globe are drawn to this historic venue, while the Orchestra and Chorus of Teatro La Fenice now perform worldwide, including a celebrated appearance at Hamburg's Elbphilharmonie in July 2024.Now, Teatro La Fenice proudly presents a collection of it's finest opera recordings from the past 30 years, available for the first time on CD. Featuring between 10 and 15 carefully selected operas each year, these recordings bring the magic of La Fenice's world-renowned performances to your home. 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Known for hosting groundbreaking opera premieres in the 19th century, La Fenice has staged legendary works from the masters of the Bel Canto era-Rossini, Bellini, Donizetti, and Verdi. Each year, a quarter-million visitors from around the globe are drawn to this historic venue, while the Orchestra and Chorus of Teatro La Fenice now perform worldwide, including a celebrated appearance at Hamburg's Elbphilharmonie in July 2024.Now, Teatro La Fenice proudly presents a collection of it's finest opera recordings from the past 30 years, available for the first time on CD. Featuring between 10 and 15 carefully selected operas each year, these recordings bring the magic of La Fenice's world-renowned performances to your home. 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Like a few other 19th century organists\/composers he used the instrument as a means to perform 'symphonic' music. The scope in this respect was greatly enhanced by the new organs built at the time, for instance by Aristide Cavaille-Coll.The blend of styles in this music for organ is unique. It contains aspects of Romanticism combined with an impressionistic 'pastel-like' quality. Like many of his contemporary colleagues Vierne felt a strong fascination with Wagnerian chromaticism.An admirer and pupil of Cesar Franck at thirty, the virtually blind Vierne was appointed organist at the Paris Notre Dame. Among many other pieces for organ he wrote six (five movement) symphonies, which became standard organ repertoire. Franck inspired him in the use of cyclical elements and harmonic refinement, whereas Widor's influence is clear in the use of the organ and the classical forms.Louis Vierne's 24 Pieces en style libre Op.31 (1913), is a landmark collection in the French organ repertoire. 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