{"title":"Restocked CDs","description":null,"products":[{"product_id":"noah-kahan-stick-season-new-cd","title":"Noah Kahan * Stick Season [New CD]","description":"\u003cp\u003eNoah Kahan * Stick Season [New CD]\u003c\/p\u003e\n\u003cp\u003eMercury, 2022\u003c\/p\u003e\n\u003cp\u003eMedia: Mint, New CD\u003c\/p\u003e\n\u003cp\u003eSleeve: Mint, Factory Sealed\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNoah Kahan - \"Stick Season\" - Following the release of his sophomore album, Noah continued to write and record, unlocking a new level of himself as an artist and songwriter. Rife with fluttering guitar melodies, inviting vocals, and homey imagery of the Northeast on the verge of changing seasons, it represents a massive turning point for him.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eImportant Purchase \u0026amp; Shipping Info\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eImages:\u003c\/span\u003e\u003cspan\u003e All product images are stock photos unless otherwise noted. Additional images are available upon request.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCondition:\u003c\/span\u003e\u003cspan\u003e All items come from a retail environment, and even new albums may show signs of shelf wear.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eShipping:\u003c\/span\u003e\u003cspan\u003e Orders ship from the U.S. with \u003c\/span\u003e\u003cspan\u003esame-day shipping on most orders. Please be aware that pre-orders will not ship until the album release date.\u003c\/span\u003e\u003cspan\u003e Standard shipping is around \u003c\/span\u003e\u003cspan\u003e5-10 days.\u003c\/span\u003e\u003cspan\u003e If you need your order to arrive more quickly, please select \u003c\/span\u003e\u003cspan\u003eexpedited shipping\u003c\/span\u003e\u003cspan\u003e at checkout. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDue to the limited availability of many music titles, \u003c\/span\u003e\u003cspan\u003eall new CD \u0026amp; album purchases are restricted to one copy per customer, per item.\u003c\/span\u003e\u003cspan\u003e Multiple orders for the same title will be canceled beyond the first purchase and you will be charged a minimum of 10% restocking fee. Multiple purchases on RSD will be canceled entirely and will be charged a 25% restocking fee. No exceptions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePlease don't hesitate to ask any questions you may have and thank you for shopping with us!\u003c\/span\u003e\u003c\/p\u003e","brand":"Mercury Records","offers":[{"title":"Default Title","offer_id":45990680264950,"sku":"32738","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2160\/4233\/files\/4137656-2886788.jpg?v=1759257258"},{"product_id":"the-steeldrivers-reckless-new-cd","title":"Steeldrivers, The * Reckless [NEW CD]","description":"\u003cp\u003eThe Steeldrivers* Reckless [NEW CD]\u003c\/p\u003e\n\u003cp\u003eRounder Records, 2010\u003c\/p\u003e\n\u003cp\u003eMedia: Mint, Factory Sealed\u003c\/p\u003e\n\u003cp\u003eSleeve: Mint, Factory Sealed\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e*All images are stock images unless otherwise indicated. Additional images available upon request. All items are from a retail environment. Most albums, even new, will show signs of shelf wear. Ships from the US. Same day shipping on most orders. Standard shipping and free shipping are sent USPS Media Mail and can take anywhere from 7 to 14 days to reach its destination. If your order is time sensitive, please select UPS or Priority mail, expedited shipping.*\u003c\/span\u003e\u003c\/p\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":46085000462582,"sku":"27304","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2160\/4233\/files\/715jIaui0FL._UF1000_1000_QL80.jpg?v=1762442505"},{"product_id":"marias-cinema-new-cd","title":"Marias * Cinema [New CD]","description":"\u003cp\u003eMarias * Cinema [New CD]\u003c\/p\u003e\n\u003cp\u003eAtlantic Mod, 2021\u003c\/p\u003e\n\u003cp\u003eMedia: Mint, New CD\u003c\/p\u003e\n\u003cp\u003eSleeve: Mint, Factory Sealed\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAcclaimed alternative-pop band The Marías released their eagerly awaited debut album CINEMA, on June 25th via Nice Life Recording Company\/Atlantic Records. CINEMA was written and produced entirely by Zardoya and her partner - producer and multi-instrumentalist Josh Conway - within their LA apartment. The duo is joined by their closest friends Jesse Perlman (guitar) and Edward James (keys) to round out the band. CINEMA features tracks in both English and Spanish, when dreaming up their first full-length, Zardoya and Conway mined inspiration from such hyper-imaginative filmmakers as Pedro Almodóvar and Wes Anderson, achieving an untamed emotionality that acutely amplifies the most intimate of feelings. In addition to those influential classic films, the album's title also pays homage to the work María and Josh first collaborated on - creating music for film + television scores. (In a nod to the bilingualism of their work, the title CINEMA carries the same meaning in both English and Spanish).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eImportant Purchase \u0026amp; Shipping Info\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eImages:\u003c\/span\u003e\u003cspan\u003e All product images are stock photos unless otherwise noted. Additional images are available upon request.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCondition:\u003c\/span\u003e\u003cspan\u003e All items come from a retail environment, and even new albums may show signs of shelf wear.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eShipping:\u003c\/span\u003e\u003cspan\u003e Orders ship from the U.S. with \u003c\/span\u003e\u003cspan\u003esame-day shipping on most orders. Please be aware that pre-orders will not ship until the album release date.\u003c\/span\u003e\u003cspan\u003e Standard shipping is around \u003c\/span\u003e\u003cspan\u003e5-10 days.\u003c\/span\u003e\u003cspan\u003e If you need your order to arrive more quickly, please select \u003c\/span\u003e\u003cspan\u003eexpedited shipping\u003c\/span\u003e\u003cspan\u003e at checkout. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDue to the limited availability of many music titles, \u003c\/span\u003e\u003cspan\u003eall new CD \u0026amp; album purchases are restricted to one copy per customer, per item.\u003c\/span\u003e\u003cspan\u003e Multiple orders for the same title will be canceled beyond the first purchase and you will be charged a minimum of 10% restocking fee. Multiple purchases on RSD will be canceled entirely and will be charged a 25% restocking fee. No exceptions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePlease don't hesitate to ask any questions you may have and thank you for shopping with us!\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Atlantic Mod","offers":[{"title":"Default Title","offer_id":46837945729270,"sku":"31184","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2160\/4233\/files\/4000224-2737002.jpg?v=1762443035"},{"product_id":"underoath-place-after-this-one-new-cd","title":"Underoath * Place After This One [New CD]","description":"\u003cp\u003eUnderoath * Place After This One [New CD]\u003c\/p\u003e\n\u003cp\u003eMNRK Heavy, \u003cstrong\u003e03\/28\/2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMedia: Mint, New CD\u003c\/p\u003e\n\u003cp\u003eSleeve: Mint, Factory Sealed\u003c\/p\u003e\n\u003cp\u003eUNDEROATH reinvents the balance between chaos and \u003cspan\u003eharmony with each successive release. Their compositions, \u003c\/span\u003e\u003cspan\u003econjured from creative tension, become iconoclastic anthems. \u003c\/span\u003e\u003cspan\u003eEven when the band almost combusts, the crackling energy \u003c\/span\u003e\u003cspan\u003ecoalesces into something deeply resonant for millions. \u003c\/span\u003e\u003cspan\u003eThe heart of their sound, which delivers naked vulnerability \u003c\/span\u003e\u003cspan\u003ewith thrilling force and cinematic lushness, can be heard in \u003c\/span\u003e\u003cspan\u003egenerations of bands who've pursued their trail. But Underoath \u003c\/span\u003e\u003cspan\u003erefuses to sit still. A provocative and inspiring musical missive, \u003c\/span\u003e\u003cspan\u003eThe Place After This One ushers in a new era for the band. \u003c\/span\u003e\u003cspan\u003eGrammy® nominated and two-time RIAA Gold-certified band \u003c\/span\u003e\u003cspan\u003eUNDEROATH announces their new album The Place After This \u003c\/span\u003e\u003cspan\u003eOne, to be released via MNRK Heavy on March 28, 2025. \u003c\/span\u003e\u003cspan\u003eProduced by Danen Reed Rector (Charlotte Sands, Greyscale) and \u003c\/span\u003e\u003cspan\u003eMatt Huber (All Time Low, Boys Like Girls) - the band continues \u003c\/span\u003e\u003cspan\u003eto innovate with a new boundary pushing chapter. 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Please be aware that pre-orders will not ship until the album release date.\u003c\/span\u003e\u003cspan\u003e Standard shipping is around \u003c\/span\u003e\u003cspan\u003e5-10 days.\u003c\/span\u003e\u003cspan\u003e If you need your order to arrive more quickly, please select \u003c\/span\u003e\u003cspan\u003eexpedited shipping\u003c\/span\u003e\u003cspan\u003e at checkout. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDue to the limited availability of many music titles, \u003c\/span\u003e\u003cspan\u003eall new CD \u0026amp; album purchases are restricted to one copy per customer, per item.\u003c\/span\u003e\u003cspan\u003e Multiple orders for the same title will be canceled beyond the first purchase and you will be charged a minimum of 10% restocking fee. Multiple purchases on RSD will be canceled entirely and will be charged a 25% restocking fee. No exceptions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePlease don't hesitate to ask any questions you may have and thank you for shopping with us!\u003c\/span\u003e\u003c\/p\u003e","brand":"MNRK Heavy","offers":[{"title":"Default Title","offer_id":48030959206646,"sku":"30822","price":10.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2160\/4233\/files\/4402603-3378268.jpg?v=1762444174"},{"product_id":"wet-leg-moisturizer-new-cd","title":"Wet Leg * Moisturizer [New CD]","description":"\u003cp\u003eWet Leg * Moisturizer [New CD]\u003c\/p\u003e\n\u003cp\u003eDomino Records, 07\/11\/2025\u003c\/p\u003e\n\u003cp\u003eMedia: Mint, New CD\u003c\/p\u003e\n\u003cp\u003eSleeve: Mint, Factory Sealed\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMoisturizer is the bold, second album from Wet Leg, the Isle of Wight five-piece founded by Rhian Teasdale and Hester Chambers. 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Please be aware that pre-orders will not ship until the album release date.\u003c\/span\u003e\u003cspan\u003e Standard shipping is around \u003c\/span\u003e\u003cspan\u003e5-10 days.\u003c\/span\u003e\u003cspan\u003e If you need your order to arrive more quickly, please select \u003c\/span\u003e\u003cspan\u003eexpedited shipping\u003c\/span\u003e\u003cspan\u003e at checkout. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDue to the limited availability of many music titles, \u003c\/span\u003e\u003cspan\u003eall new CD \u0026amp; album purchases are restricted to one copy per customer, per item.\u003c\/span\u003e\u003cspan\u003e Multiple orders for the same title will be canceled beyond the first purchase and you will be charged a minimum of 10% restocking fee. Multiple purchases on RSD will be canceled entirely and will be charged a 25% restocking fee. 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Many Never-Before-Heard Stereo Versions! All Tracks From The Legendary Tea Chest Tapes. Includes Detailed 'I Hear A New World' Sessions And Out-Takes. Features Hit Singles By John Leyton, Heinz, Mike Berry, Screaming Lord Sutch, The Outlaws And More. Sleevenotes By The Joe Meek Society's Craig Newton. Mastered At Western Star By Meek Aficionado Alan Wilson. Unique among the 1960s pop landscape, and facilitated by his own home studio set-up, Joe Meek pursued and expressed a passion for his countless hobbies through his hit records and studio productions. From the legendary 'I Hear A New World' sonic landscapes and the Tornados' global hit 'Telstar!' to several successful horror-themed records with Screaming Lord Sutch and his smash hit laments to both Buddy Holly and Eddie Cochran, Meek's fascinations were never far from his thoughts, often resulting in wildly imaginative and way ahead of their time recordings. 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With this 2025 deluxe Collector's Edition CD from Retroactive Records, the album receives the reissue treatment it has long deserved: remastered by Rob Colwell, housed in a jewel case with a high-quality O-card sleeve, and featuring a 12-page lyrics insert booklet with rare band photos. Every CD also includes a limited-edition Adam Again collector card, available only with this pressing.Driven by the artistic vision of Gene Eugene, Ten Songs builds on the foundation of their 1986 debut but leans deeper into groove, mood, and lyrical complexity. The album blends elements of funk, soul, and post-punk, echoing the influence of R.E.M., Talking Heads, and The Cure, yet sounding entirely it's own. 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In Victim 1, he went after people who had committed one of the Seven Deadly Sins, particularly those preying on young, innocent victims. In this sequel, he is reveling in his murder spree too much and faces a crisis of conscience.As in his previous band Mushroomhead, Reavis dons a mask onstage. \"It's not just a gimmick. I'm showing you what's on the inside, but at the same time it's what the fans want from me,\" he explains, \"I'm putting the mask on because I'm trying to explain who the character really is.\"Victim 2 kicks o in bristling fashion with \"Hopeless Grey\" and \"In Case Of Emergency,\" but as the story progresses the collection of songs explores di erent musical territory. Victim 2 shows how A Killer's Confession likes to blend genres, notably on the track \"Hollow.\"Throughout Victim 2, the dark inner voices plaguing the murderous vigilante emerge in pitch-shifted fashion to distinguish them from his \"normal\" self. 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Despite the novelty of the basso continuo, the First Book is still the work of a composer who had inherited a tradition that developed in France during the 17th century. The Fifth, published a few years before his death, is a moving and perfect testimony to a musical language that was also in it's twilight years. The Second, Third and Fourth books reveal not only the evolution of musical forms but also the ineffable talent that ensured Marais' position as the undisputed master of his art, one that was inextricably linked to the spirit of French music of the Grand Siecle. Marin Marais' Pieces de Viole were recorded complete and first released in stages between 2014 and 2021; they are now issued as a boxed set to mark Francois Joubert-Caillet's appointment this year as professor at the Schola Cantorum Basiliensis.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en re mineur. Prélude\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en re mineur. Fantaisie\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en re mineur. Allemande\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en re mineur. Double\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en re mineur. Courante\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en re mineur. Double\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en re mineur. Sarabande\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en re mineur. Gigue\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en re mineur. Double\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en re mineur. Prélude\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en re mineur. Fantaisie\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en re mineur. Gavotte\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en re mineur. Menuet\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en re mineur. Rondeau\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en sol majeur à deux violes. Prélude\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en sol majeur à deux violes. Allemande\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en sol majeur à deux violes. Courante\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en sol majeur à deux violes. Sarabande\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en sol majeur à deux violes. Gigue\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en sol majeur à deux violes. Gavotte en rondeau\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en sol majeur à deux violes. Menuet\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en sol majeur à deux violes. Gavotte\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en sol majeur à deux violes. Fantaisie en écho\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en sol majeur à deux violes. Chaconne\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en la majeur. Prélude\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en la majeur. Boutade\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en la majeur. Allemande\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en la majeur. Double\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en la majeur. Courante\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en la majeur. Sarabande\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en la majeur. Sarabande\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en la majeur. Gigue\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en la majeur. Menuet\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en la majeur. Rondeau\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en la majeur. Fantaisie [en si mineur]\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré mineur. Prélude\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré mineur. Prélude\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré mineur. Allemande\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré mineur. Double\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré mineur. Courante\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré mineur. Double\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré mineur. Sarabande\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré mineur. Gigue\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré mineur. Gigue\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré mineur. Double\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré mineur. Menuet\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré mineur. Gavotte en rondeau\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré mineur. Rondeau\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Sujet diversitez\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Tombeau de Mr Meliton à deux violes\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Rondeau\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré majeur. Prélude\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré majeur. Allemande\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré majeur. Double\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré majeur. Courante\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré majeur. Double\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré majeur. Sarabande\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré majeur. Gigue\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré majeur. La Paysane\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré majeur. Menuet\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré majeur. Menuet\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré majeur. Chaconne\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en sol mineur. Prélude\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en sol mineur. Allemande\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en sol mineur. Courante\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en sol mineur. Sarabande\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en sol mineur. Gigue\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en sol mineur. Gavotte\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en sol mineur. Menuet\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en sol mineur. Prélude\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré mineur à deux violes. Prélude\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré mineur à deux violes. Allemande\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré mineur à deux violes. Courante\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré mineur à deux violes. Sarabande\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré mineur à deux violes. Gigue\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré mineur à deux violes. Gavotte\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré mineur à deux violes. Menuet\u003c\/li\u003e\n\u003cli\u003ePièces de viole, Book I, for 1 or 2 violas da gamba ; continuo~Suite en ré majeur. 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To those in the know, the Los Angeles-based British-Canadian singer and songwriter has long been an underground force coaxing together the mutually flirtatious scenes of daring alt-R\u0026amp;B and heart-pumping electronic music. With her longtime creative director\/producer KLSH, she's cultivated a singular marriage of sound - mixing soulful sensuality, house bump, DnB wildness, hip-hop swagger, and pure experimentalism - that's spread not only through certain circles, but also to the mainstream. At the same time that her gauzy 2014 single \"Lowkey\" was going viral in 2023 - racking up 21 million streams on Spotify alone - she was in the studio cooking with tastemaking beatsmiths like KAYTRANADA and Sango, quietly preparing to melt dance floors and headphones alike. Now, as the timelines merge, Jordan is approaching success with the sparkle of a brand new star and the stance of someone who's earned everything she has. Her new musical chapter aims to carry forward the magic that fans feel in her coquettish vocals and bold soundscapes even as she reaches deeper into her pop bag. The fact that her first single of 2025, the darkly dazzling \"Crave,\" was produced by Chicago house legend Terry Hunter (Janet Jackson, Mariah Carey, Beyoncé) speaks volumes to this exact moment in Jordan's ascendent trajectory. \"My goal when I first started making music was to bring back something that I felt had started to fade away for me,\" says Jordan. \"That certain essence or sound that would give me butterflies in my stomach when I'd listen to music - it would unleash some kind of chemical that would make me feel happy and excitable and curious, something that would make my soul shine. My number one goal is always: How do I give people that feeling when they listen to my music?\" Jordan grew up in Toronto raised by British-Jamaican parents. She remembers hearing one of her older brothers cycling through a variety of music at maximum volume in the room next to hers. \"Reggae to soul to drum and bass to garage music to gospel,\" Jordan recalls. \"It was all intertwining for me at such a young age.\" She developed her own sound quietly, and soon met KLSH through MySpace. They traded multiple songs back and forth daily until he flew her out to L.A. to record what would become her debut project, 2011's R O J O. That collaboration hasn't faltered since, resulting in sonically surprising, subtly infectious sets like Jordan's breakthrough 2014 album 1021 (with \"Lowkey\") and 2021's dance-steeped revelation, Play with the Changes.\"If you're talking about Rochelle Jordan, you're talking about KLSH,\" she says. \"It's one and the same. We come from the same inspiration source.\" With him at her side to this day, Jordan is crafting new listening experiences as radiant as refracted light glimmering through a prism - an incredible space from within which to explore love in all it's iterations - from romantic infatuation to self-affirmation, and strength in womanhood to pride for what she's accomplished thus far.More than a decade into her career, Jordan has arrived at a new stage of life and creativity - she's a seasoned professional, a fully realized woman, and she's excited to continue growing. \"I know my story isn't necessarily a new one,\" she says. \"I look at 2 Chainz, who became 2 Chainz way later on in his life. I look at Tina Turner, who became Tina Turner at 40. I want to be another story of resilience for people.\" As she prepares to unveil more of her vision, and fans clamber for a long-awaited fourth album, Rochelle Jordan is casting aside self-doubt, and appreciating and underlining her status as a verifiably influential reigning diva in her one-of-one sonic space.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTrack 1\u003c\/li\u003e\n\u003cli\u003eTrack 2\u003c\/li\u003e\n\u003cli\u003eTrack 3\u003c\/li\u003e\n\u003cli\u003eTrack 4\u003c\/li\u003e\n\u003cli\u003eTrack 5\u003c\/li\u003e\n\u003cli\u003eTrack 6\u003c\/li\u003e\n\u003cli\u003eTrack 7\u003c\/li\u003e\n\u003cli\u003eTrack 8\u003c\/li\u003e\n\u003cli\u003eTrack 9\u003c\/li\u003e\n\u003cli\u003eThrough the Wall\u003c\/li\u003e\n\u003cli\u003eCrave\u003c\/li\u003e\n\u003cli\u003eTrack 12\u003c\/li\u003e\n\u003cli\u003eTrack 13\u003c\/li\u003e\n\u003cli\u003eTrack 14\u003c\/li\u003e\n\u003cli\u003eTrack 15\u003c\/li\u003e\n\u003cli\u003eTrack 16\u003c\/li\u003e\n\u003cli\u003eTrack 17\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 199316172324\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rochelle Jordan\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.10.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Rochelle Jordan","offers":[{"title":"Default Title","offer_id":49063067123958,"sku":"198156","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2160\/4233\/files\/4443691-3418445.jpg?v=1757621444"},{"product_id":"pre-order-depeche-mode-some-great-reward-new-cd","title":"Depeche Mode * Some Great Reward [New CD]","description":"\u003cp\u003e\u003cspan\u003eReleased in September 1984 \u003c\/span\u003e\u003ci\u003eSome Great Reward\u003c\/i\u003e\u003cspan\u003e is the fourth studio album from Depeche Mode. 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Following previous partnerships in the opera house and the concert hall, Hallenberg and Page are now collaborating in the recording studio for the first time on a new recital disc of Gluck arias. The backbone of the programme is provided by three arias from Il trionfo di Clelia (Bologna, 1763) that were written for the renowned castrato Giovanni Manzuoli (1720-1782) - one of the greatest singers of his day - and the album also includes previously unrecorded arias from Ipermestra (Venice, 1744 and Le nozze d'Ercole e d'Ebe (Dresden, 1747). 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When the eight of us met at WBEZ in Chicago on September 13, 2022, we thought we were taking the first step toward recording a new CD. It was a fine day in the studio, we got a bunch done and it sounded pretty great, but then we spent much of 2023 working on a chamber theater piece that split it's time between LA and Chicago, leaving not much empty space to go back into the studio. January 5 of 2024 was the next time we gathered to record, this time at Tonal Park in Takoma Park, Maryland - and there were a lot of us. There were the five core members of the group, with Tim Langen on fiddle, and James Oxley, tenor, for a total of seven musicians. Dan was producing, Charlie at the console, and Lindsey overseeing it all. Honestly, it was a tough session. We had been overly optimistic about what could be achieved, perhaps we were under-rehearsed, and I had cancer. This is not a poor-pitiful-me-moment. It's just a fact that sometimes when you have cancer and you don't know it, you haven't been diagnosed, nothing feels right, and indeed, nothing felt right.Even in the haze of exhaustion and infirmity, there were shining, glittering moments of extraordinary music making. Isaac brought his saxophone. Ensemble Galilei, known for early music\/traditional music crossover had never, ever, recorded with something that modern. Cape Clear, a traditional Irish air would be played on sax accompanied by the viola da gamba. Who knew? Both instruments rumbled and sang, Isaac's saxophone riding the red-hot coals of grief, with the gamba, in the basement of it's range, providing a partner in darkness. James Oxley poured himself into, Come Away, Death, with Jesse Langen's extraordinary guitar giving space, air, and light to the tune. Bernard McWilliams, the session photographer, was there when the jig set was being recorded, a straight-ahead Irish set that Tim, Jesse and Isaac had assembled a few days before, and he looked me straight in the eye and said, \"That is like hearing pure joy.\" The Boys of Barr na Sraide with it's perfect imperfection still makes me cry when I hear Isaac singing, And when the hills were bleeding and the rifles they were aflameTo the rebel homes of Kerry the the Saxon strangers cameAnd the men who fought the Auxies and beat the Black and TansWere the boys of Barr na Sraide who hunted for the wren.There was a biopsy on April 15, I told my surgeon that my first free day to go under the knife was June 17. I had things to do. We had recording sessions already scheduled.As our producer, Dan Merceruio, and I listened to the tracks from December, there was music that soared and there were pieces that didn't quite rise. We needed a fiddler. I called Hanneke Cassel who lives in Boston, asked her if she might have one day to come to DC to record, and when she said, \"Yes, if it's May 6, \" we were good to go. I flew up for a rehearsal, we went over the tracks she would be working on, she created beautiful and compelling parts, and May 6 was one of those days of focused creativity that one never forgets. At that time, there were two projects in the works, on parallel paths. For the first time, we were going to record an early music CD in a conventional classical music style. Ensemble Galilei had always been known as a crossover group, meaning that while it was true that we performed early music, traditional music was always right around the corner. We never sought to achieve a level of historical performance practice that might engage early music audiences, until now.There were just four of us when we met to rehearse in the spring, and when the rehearsals were over and we were convinced that we had something to say that had never been said before, we scheduled a session for June 6-9. Kathryn Montoya and I were the early music representatives from Ensemble Galilei and we would be joined by the extraordinary lutenist, Ronn McFarlane and the peerless English tenor, James Oxley. Unfortunately, right before James was set to fly to the US from England, he tested positive for Covid. The studio at Sono Luminus had been reserved, Erica Brenner our producer, had her tickets, and Robert Friedrich, our engineer, had packed all the equipment. We were going to record. That studio is designed for a group to record together - sharing space, hearing the music as it is being played, feeling the resonance of the room. There is no isolation, no overdubbing, no fixing that pesky buzzy string in bar four that will be problematic later. The sound of the recording will be broader, there will be more room sound, and the process is inherently different. You can see each other, hear each other breathe. And if you make a mistake, it lives on in everyone's microphone. There is, after all, a plus and a minus to everything.Those days of recording with Kathryn and Ronn were astonishing. Because we had three days booked (and since we weren't recording any of the vocal music), we could focus, really take our time, stretch out and listen, and with Erica gently guiding us, rearrange, and go again. It is rare that time is your friend in the studio, and for us in those days, it was.We were able to book the studio with James for August 4-6, and there we met again. True confessions, two of the songs that James sang are profoundly important in my life, and the way that he sang John Dowland's Flow My teares and Go Cristall teares made playing the bass line, with Ronn taking the lute part, an exquisite experience. And I do hear it, in the recording. All of that intention, all of that seemingly effortless technique (which we know is not effortless) and the heart that they put into the performances, these are the things that one lives for in music.I called Collin Rae, the head of Sono Luminus, on the way home from the session, hoping that he might have a great name for this Ensemble Galilei early music spinoff and he suggested that instead of releasing two different projects under two different names, that we release a single recording as a two CD set. Lindsey Nelson, our executive producer, who seems to always have the wisdom and experience to guide us when we are in uncharted territory, was in the car during that phone call. It was a mind-blowing moment. There were so many things that made sense about it, and at the same time there were major obstacles. We had always been an ensemble that embraced a wide range of music, so putting early music and traditional music on the same CD was business as usual. But we had recorded in radically different sonic environments, intentionally, and how we would marry these diverse soundscapes was challenging. But Collin was right. It was crazy to spin off a different group, give it another name, and release a CD. And while it had never occurred to Lindsey or to me, a two-CD set was the perfect solution. The summer of 2024 was tough, and yet astonishing things kept showing up. A few years before, I looked at our Spotify page for the first time and saw that we had millions of streams. Our big cities were Paris, Seattle, and London, and our demographic was predominantly people in their late teens, twenties, and early thirties, not our usual concert audience - and they were not hearing the music on a Spotify radio station, they were listening and sharing with friends. This was happening all over the world.And then in August, Come, Gentle Night, the title track of a CD that was released in 2000 on Telarc, caught fire. All of a sudden, our top five cities were all in Turkey. The tune was streamed hundreds of thousands of times, again, shared from one person to another. People were listening. Radiation started for me in September. For my first session, which would be the longest, the tech asked what I would like to hear and I said, \"Me. Us. 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